Movie Reviews Published by RogerEbert.com - Page 64 of 279

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Review of Still Life in Lodz (2021)

By Justine Smith (13) for RogerEbert.com (5,563) on 12 Mar 2021

Unfortunately, many of the most compelling elements of Still Life in Lodz are bogged down by distracting filmmaking flourishes…

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Review of Cosmic Sin (2021)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 12 Mar 2021

The pacing is sluggish, the script is crammed with both incomprehensible technical gobbledygook and lazy, sexist jokes, and the visual effects…

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Review of YES DAY (2021)

By Nell Minow (2,357) for RogerEbert.com (5,563) on 12 Mar 2021

It is an entertaining, family-friendly romp with wish-fulfilling yeses, extended comic mayhem, and satisfying consequences…

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Review of Trust (2021)

By Monica Castillo (380) for RogerEbert.com (5,563) on 12 Mar 2021

Although Trust gets off to a shaky start, once the players are introduced and the flirty game’s afoot, it’s a mostly fun ride…

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Review of Own the Room (2021)

By Arielle Bernstein (3) for RogerEbert.com (5,563) on 12 Mar 2021

While Own the Room succeeds at offering a captivating look at its incredible subjects, it also avoids more complicated questions about how…

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Review of Stray (2021)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 05 Mar 2021

Lo wants to make a point, obviously, but I came out of this picture with some questions…

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Review of Boss Level (2021)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 05 Mar 2021

Boss Level compensates for its overstuffed scenario and relentless derivativeness—actually, it makes you stop caring about its relentless…

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Review of Chaos Walking (2021)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 05 Mar 2021

Once you're immersed, it's a powerful experience that lingers in the mind long after the film's many disappointments have started to fade…

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Review of Boogie (2021)

By Monica Castillo (380) for RogerEbert.com (5,563) on 05 Mar 2021

Not all the pieces of Boogie fit neatly together, but it’s a film about a family that doesn’t fit inside the box of a standard inspirational…

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Review of My Salinger Year (2020)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 05 Mar 2021

My Salinger Year sometimes drags and falters with questionable tonal shifts…

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Review of Quo Vadis, Aida? (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 05 Mar 2021

Jasmila Zbanic’s Quo Vadis, Aida…

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Review of Coming 2 America (2021)

By Odie Henderson (402) for RogerEbert.com (5,563) on 05 Mar 2021

Coming 2 America is like attending your high school reunion: You’ll enjoy seeing the familiar faces of those with whom you once shared such…

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Review of The SpongeBob Movie: Sponge on the Run (2020)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 04 Mar 2021

Stretched out to 90 minutes in Sponge on the Run, the pacing lags, the goofiness sags, and you discover over time that there’s not much holding…

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Review of Moxie (2021)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 03 Mar 2021

Moxie doesn't have the satirical bite of, say, Mean Girls, nor does it have a particularly punk rock energy, but Poehler does an admirable…

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Review of Sophie Jones (2021)

By Roxana Hadadi (336) for RogerEbert.com (5,563) on 02 Mar 2021

Nearly every scene in Sophie Jones is either meditative or combative in some way, and Barr nails the flickering, shifting, visceral emotions…

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Review of Erēmīta (Anthologies) (2021)

By Matt Fagerholm (98) for RogerEbert.com (5,563) on 01 Mar 2021

What’s most rewarding about curator Sam Abbas’ short film collection, Erēmīta (Anthologies), is in how it magnifies the ways in which…

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Review of Raya and the Last Dragon (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 01 Mar 2021

It's an ambitious family film that will work for all ages, and one that never talks down to its audience while presenting them with an entertaining,…

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Review of Biggie: I Got a Story to Tell (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 01 Mar 2021

The documentary's best material, other than the archival stuff, comes in how it flirts with an analysis of Wallace’s musical inspirations…

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Review of Cherry (2021)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 26 Feb 2021

I admire the intentions behind Cherry…

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Review of Crisis (2021)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 26 Feb 2021

In a lot of ways, Crisis is a classic example of a movie that wants to be a little bit of everything, only to add up to a much lesser version…

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