Movie Reviews Published by RogerEbert.com - Page 58 of 279

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Review of Queen Bees (2021)

By Nell Minow (2,357) for RogerEbert.com (5,563) on 11 Jun 2021

As all movies about this stage of life must, among obvious jokes about aches, pains, and Viagra—apparently it is okay to sexually objectify…

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Review of The Misfits (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 11 Jun 2021

The characters are bland, the dialogue is atrocious, the action is mediocre, and even the heist is a boring bust…

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Review of Peter Rabbit 2: The Runaway (2021)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 11 Jun 2021

By indulging in the exact same instincts it insists are problematic artistically, Peter Rabbit 2 wants to have its carrot and eat it, too…

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Review of Censor (2021)

By Simon Abrams (730) for RogerEbert.com (5,563) on 11 Jun 2021

So while Enid’s investigation never goes anywhere noteworthy, Censor still fosters an increasingly desperate, anxiety-inducing effect…

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Review of Skater Girl (2021)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 11 Jun 2021

There may be one too many obstacles placed in Prerna's way (the pet goat is a prime example), stacking the deck against her so there will be…

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Review of Holler (2021)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 11 Jun 2021

Nicole Riegel's debut feature Holler is a film to treasure—an intimate drama about family and work, steeped in details that can only have…

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Review of Akilla's Escape (2021)

By Odie Henderson (402) for RogerEbert.com (5,563) on 11 Jun 2021

Akilla’s Escape is undone by its own lack of faith in the viewer, opting to explicitly tell rather than rely on its fine actors to show us…

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Review of 12 Mighty Orphans (2021)

By Carlos Aguilar (278) for RogerEbert.com (5,563) on 11 Jun 2021

Wholesome in the most “pull yourself up by your bootstraps” brand of mythical Americanism, 12 Mighty Orphans is engineered to rouse emotions…

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Review of Infinite (2021)

By Robert Daniels (336) for RogerEbert.com (5,563) on 10 Jun 2021

Rather than crafting a high-concept science-fiction marvel, Fuqua’s Infinite relies on shoddy VFX and ropey world-building for the worst…

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Review of Awake (2021)

By Monica Castillo (380) for RogerEbert.com (5,563) on 09 Jun 2021

Awake has just enough scares and strangeness, plus a sense of dread and paranoia, to make its horror creepy and enjoyable…

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Review of In the Heights (2021)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 08 Jun 2021

Jubilant, unapologetically massive, and bursting with a cozy, melancholic sense of communal belonging, In The Heights is the biggest-screen-you-can-find…

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Review of The Amusement Park (1975)

By Scout Tafoya (47) for RogerEbert.com (5,563) on 08 Jun 2021

Whatever the Lutherans thought they were paying for, they accidentally unleashed our most deeply cynical artist at the height of his ferocity…

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Review of All Light, Everywhere (2021)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 07 Jun 2021

It's to the credit of Anthony, who wrote and edited as well as directed, and his cinematographer Corey Hughes, that you come away thinking…

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Review of Under the Stadium Lights (2021)

By Nell Minow (2,357) for RogerEbert.com (5,563) on 04 Jun 2021

The movie's dialogue is clunky and the acting is uneven, which keeps the tone more preachy than dramatic…

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Review of Monuments (2021)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 04 Jun 2021

What could have been a powerful, timely, and potentially funny meditation on the grieving process is instead a work that's about as thin and…

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Review of City of Ali (2021)

By Odie Henderson (402) for RogerEbert.com (5,563) on 04 Jun 2021

It’s full of pure, unadulterated love for “The Greatest,” so much so that the viewer can’t help but get enveloped in its adoration…

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Review of Monuments (2021)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 04 Jun 2021

What could have been a powerful, timely, and potentially funny meditation on the grieving process is instead a work that's about as thin and…

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Review of Undine (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 04 Jun 2021

Petzold keeps his mystery afloat (sorry) thanks to his impeccable craft even if this is a tale that sometimes feels like it needed a more magical…

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Review of Gully (2021)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 04 Jun 2021

It’s a film filled with half-hearted ideas and thin characters, all in the service of a story that wallows in its trauma in a manner that…

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Review of Flashback (2021)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 04 Jun 2021

And it mostly doesn’t quite work, because Fred, as written by MacBride and played by Dylan O’Brien, just isn’t a compelling character…

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