Movie Reviews Published by RogerEbert.com - Page 57 of 279

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Review of Fathom (2021)

By Nell Minow (2,357) for RogerEbert.com (5,563) on 25 Jun 2021

Watching the scientists research the mysteries of humpback whales is an inspiring tribute to the power of curiosity, purpose, and the triumphant…

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Review of I Carry You with Me (2021)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 25 Jun 2021

I Carry You with Me is a complicated film, in many ways, and it covers a lot of ground, but the emotions portrayed are simple and human-sized…

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Review of Lansky (2021)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 25 Jun 2021

Never as giddily awful as Gotti, this movie suffers more from a case of what film critic Andrew Sarris called “Strained Seriousness.” Except…

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Review of The Ice Road (2021)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 25 Jun 2021

Despite its many perils, both natural and human, The Ice Road is surprisingly dull…

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Review of Mary J. Blige's My Life (2021)

By Robert Daniels (336) for RogerEbert.com (5,563) on 25 Jun 2021

Despite its over orchestration, director Vanessa Roth’s slight, hagiographic documentary Mary J…

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Review of False Positive (2021)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 25 Jun 2021

A deftly made suspense film, but one that falls somewhat short of its aspirations, both as a satire and as a psychological thriller with a…

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Review of Werewolves Within (2021)

By Nick Allen (397) for RogerEbert.com (5,563) on 25 Jun 2021

Here, [Ruben] lets loose with many of the goofy, creepy impulses that make him such a welcome voice in crowd-pleasing horror, creating a giddy…

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Review of My Heart Can't Beat Unless You Tell It To (2020)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 25 Jun 2021

Cuartas' film provides a generally interesting spin on both the vampire mythos and more typical dysfunctional family dynamics…

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Review of Sisters on Track (2021)

By Roxana Hadadi (336) for RogerEbert.com (5,563) on 24 Jun 2021

Although Sisters on Track has some gaps in its narrative that seem as if certain chunks of the girls’ lives were compressed or skipped over,…

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Review of Good on Paper (2021)

By Monica Castillo (380) for RogerEbert.com (5,563) on 23 Jun 2021

Good on Paper sometimes gets silly, sometimes serious, but it never waivers from its mission of being funny through it all…

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Review of F9 (2021)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 22 Jun 2021

The action set-pieces are thrilling and intentionally hilarious, though the digital effects and compositing vary in quality…

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Review of Rise Again: Tulsa and the Red Summer (2021)

By Ciara Wardlow (3) for RogerEbert.com (5,563) on 18 Jun 2021

In many ways Rise Again feels like something that would be perfect to show to a middle-school classroom—an even-keeled introduction to a…

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Review of Fatherhood (2021)

By Odie Henderson (402) for RogerEbert.com (5,563) on 18 Jun 2021

Fatherhood is at its best and most watchable when it’s just Hart and Hurd onscreen…

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Review of A Crime on the Bayou (2021)

By Steven Boone (45) for RogerEbert.com (5,563) on 18 Jun 2021

Filmmaker Nancy Buirski has an elegant, judicious way of imparting the facts of the case, taking not just the political temperature of the…

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Review of Rita Moreno: Just a Girl Who Decided to Go for It (2021)

By Danielle Scruggs (1) for RogerEbert.com (5,563) on 18 Jun 2021

Moreno, who is brash and self-effacing, thoughtful and charismatic, has such a commanding presence on camera; every time she speaks, you unintentionally…

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Review of Sweat (2020)

By Whitney Spencer (2) for RogerEbert.com (5,563) on 18 Jun 2021

Von Horn has crafted an impressive art film that tells a story outside of the pathological narcissism commonly associated with the world of…

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Review of The Sparks Brothers (2021)

By Brandon Towns (4) for RogerEbert.com (5,563) on 17 Jun 2021

Once again, Edgar Wright has proven himself to be the master of whimsical filmmaking…

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Review of Luca (2021)

By Robert Daniels (336) for RogerEbert.com (5,563) on 16 Jun 2021

While some material may hit with younger audiences, Luca makes for Pixar’s least enchanting, least special film yet…

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Review of Nasrin (2020)

By Robert Daniels (336) for RogerEbert.com (5,563) on 15 Jun 2021

In depicting one woman’s fight for justice, Kaufman’s indelible documentary becomes an empowering three-dimensional story of resistance…

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Review of Hitman's Wife's Bodyguard (2021)

By Carla Renata (6) for RogerEbert.com (5,563) on 14 Jun 2021

Directed by Patrick Hughes, this comic book-energy spy adventure, gorgeously captured by cinematographer Terry Stacey and keenly scripted with…

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