Movie Reviews Published by RogerEbert.com - Page 160 of 279

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Review of The Villainess (2017)

By Simon Abrams (730) for RogerEbert.com (5,563) on 24 Aug 2017

There's a lot of chutzpah on display throughout the film, even during essentially soggy, dialogue-intensive sequences, which are broken up…

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Review of Bushwick (2017)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 24 Aug 2017

The movie’s main feature is a group of long-take, moving-camera action scenes that I guess might have been more engaging had the characters…

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Review of Beach Rats (2017)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 24 Aug 2017

Hittman's devotion to the male bodies onscreen is obsessive. Most good filmmakers, and most good artists, are obsessives…

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Review of England Is Mine (2017)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 24 Aug 2017

There’s clearly a biopic in Morrissey’s true story. You can hear it in the timbre of his voice and the wit of his lyrics…

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Review of Death Note (2017)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 24 Aug 2017

Several of the changes to Tsugumi Ohba and Takeshi Obata’s brilliant manga have already been widely reported, including the whitewashing…

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Review of Clash (2017)

By Nick Allen (397) for RogerEbert.com (5,563) on 24 Aug 2017

Diab effectively creates a monster of blind hatred, and then holds all of us as captors and witnesses to a hateful world tearing itself apart…

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Review of All Saints (2017)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 24 Aug 2017

Director Steve Gomer approaches dire and potentially devastating situations in understated fashion, allowing the purity of their prevailing…

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Review of Birth of the Dragon (2017)

By Scout Tafoya (47) for RogerEbert.com (5,563) on 24 Aug 2017

A preposterous screenwriting-for-dummies exercise directed with all the flare of a mid-‘90s tourism video…

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Review of Leap (2017)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 23 Aug 2017

Co-directors Éric Summer and Éric Warin and their collaborators seem determined to crush the life out of an original premise and many promising…

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Review of The Adventurers (2017)

By Simon Abrams (730) for RogerEbert.com (5,563) on 17 Aug 2017

Unfortunately, Lau just isn't charming enough to carry the utterly forgettable The Adventurers, a tepid remake of John Woo's already lame heist…

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Review of Lemon (2017)

By Sheila O'malley (474) for RogerEbert.com (5,563) on 17 Aug 2017

There's a flatness in the end-result. The quirky is utterly predictable…

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Review of Dave Made a Maze (2017)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 17 Aug 2017

The all-live action section of this movie is lit and shot almost exactly like an episode of “The Adventures of Pete and Pete.”…

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Review of Marjorie Prime (2017)

By Godfrey Cheshire (178) for RogerEbert.com (5,563) on 17 Aug 2017

A movie that leaves viewers with so much to ponder…

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Review of What Happened to Monday (2017)

By Brian Tallerico (1,600) for RogerEbert.com (5,563) on 17 Aug 2017

Wirkola stages a few excellent set pieces and Rapace is fantastic, but the general lack of entertainment value has to be considered disappointing…

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Review of Crown Heights (2017)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 17 Aug 2017

Stanfield is a true movie star, radiating decency even as the character's shell hardens…

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Review of Shot Caller (2017)

By Vikram Murthi (112) for RogerEbert.com (5,563) on 17 Aug 2017

Despite its unabashed fondness for clichés and tired tropes, Shot Caller mostly succeeds in its aims because of Waugh’s sober, matter-of-fact…

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Review of Patti Cake$ (2017)

By Matt Zoller Seitz (637) for RogerEbert.com (5,563) on 17 Aug 2017

What elevates it and makes it special is the attention it pays to local geography and atmosphere, the mundane aspects of working-class Northeastern…

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Review of The Hitman's Bodyguard (2017)

By Susan Wloszczyna (541) for RogerEbert.com (5,563) on 17 Aug 2017

While no one is going to mistake The Hitman’s Bodyguard for high art, it will please those in the mood for late-summer fun…

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Review of Gook (2017)

By Glenn Kenny (1,728) for RogerEbert.com (5,563) on 17 Aug 2017

There's not much to take away from the movie besides its sound and fury…

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Review of The Wound (2017)

By Peter Sobczynski (1,159) for RogerEbert.com (5,563) on 16 Aug 2017

The result is a dark and stirring variation on the standard coming-of-age narrative that, much like its central characters, does not follow…

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