Review of Death Note (2017) by Brian Tallerico for RogerEbert.com — 24 Aug 2017
Several of the changes to Tsugumi Ohba and Takeshi Obata’s brilliant manga have already been widely reported, including the whitewashing of the entire project by relocating it from Japan to Seattle, but those are just the symptoms of a greater disease known as complete creative bankruptcy.
You can read the full review where it was originally posted online.
This review of Death Note (2017) was written by Brian Tallerico and published by RogerEbert.com on 24 Aug 2017.
Death Note has generally received negative reviews.
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