Movie Reviews Published by Punch Drunk Critics - Page 17 of 26

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Review of Detroit (2017)

By Travis Hopson (923) for Punch Drunk Critics (518) on 27 Jul 2017

While it takes place in 1967 during the racially-charged 12th Street Riots, the prejudice, injustice, and police violence could be ripped from…

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Review of Atomic Blonde (2017)

By Travis Hopson (923) for Punch Drunk Critics (518) on 27 Jul 2017

Whenever Theron isn't punching somebody in the throat we kinda wish she would go off in search of her next victim…

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Review of Dunkirk (2017)

By Travis Hopson (923) for Punch Drunk Critics (518) on 17 Jul 2017

I don't know if my heart stopped racing for all of Dunkirk's brisk, unbearably tense 107-minute runtime…

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Review of Valerian and the City of a Thousand Planets (2017)

By Travis Hopson (923) for Punch Drunk Critics (518) on 12 Jul 2017

Valerian is like spending two hours in the Mos Eisley cantina while all of the TVs are set to episodes of Moonlighting…

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Review of Spider-Man: Homecoming (2017)

By Travis Hopson (923) for Punch Drunk Critics (518) on 30 Jun 2017

Spider-Man: Homecoming reaches its most impressive heights when the training wheels are off and Stark isn't around…

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Review of Despicable Me 3 (2017)

By Travis Hopson (923) for Punch Drunk Critics (518) on 30 Jun 2017

Despicable Me 3 sees the Minions have their own subplot yet again, while all of the time spent with Gru feels like filler…

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Review of The Beguiled (2017)

By Travis Hopson (923) for Punch Drunk Critics (518) on 30 Jun 2017

Coppola's version of The Beguiled is more expertly directed and refined, until this cultured drama sheds its skin and reveals the nutty horror…

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Review of Baby Driver (2017)

By Travis Hopson (923) for Punch Drunk Critics (518) on 30 Jun 2017

the music is something you feel…

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Review of War for the Planet of the Apes (2017)

By Travis Hopson (923) for Punch Drunk Critics (518) on 25 Jun 2017

This is blockbuster filmmaking at its best, providing summer thrills with deep characterization the likes of which we simply don't see that…

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Review of Transformers: The Last Knight (2017)

By Travis Hopson (923) for Punch Drunk Critics (518) on 25 Jun 2017

The Last Knight is the worst Transformers movie of them all…

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Review of Maudie (2016)

By Travis Hopson (923) for Punch Drunk Critics (518) on 23 Jun 2017

While Maudie is a film to be admired, and certainly Hawkins' performance is beautiful and heartbreaking, a richer portrait of Maud Lewis is…

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Review of The Hero (2017)

By Travis Hopson (923) for Punch Drunk Critics (518) on 15 Jun 2017

The Hero, is a beautiful, majestic film, providing Elliott the superb late-career role that his character struggles to find for himself…

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Review of The Book of Henry (2017)

By Travis Hopson (923) for Punch Drunk Critics (518) on 15 Jun 2017

If there's an upside to The Book of Henry it's that you're so stunned by how badly it falls apart that you're left somewhat entertained…

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Review of Kill Switch (2017)

By Travis Hopson (923) for Punch Drunk Critics (518) on 15 Jun 2017

The action level is never quite as high as it should be to justify the first-person view, and so it feels too often like we're watching somebody…

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Review of Once Upon a Time in Venice (2017)

By Travis Hopson (923) for Punch Drunk Critics (518) on 12 Jun 2017

This is the first time we've had to endure the sight of a skateboarding, buck naked Bruce Willis…

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Review of The Hunter's Prayer (2017)

By Travis Hopson (923) for Punch Drunk Critics (518) on 08 Jun 2017

While not doing anything special for the hitman genre, it can scratch the right itch if you're looking for a no-frills actioner…

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Review of It Comes at Night (2017)

By Travis Hopson (923) for Punch Drunk Critics (518) on 07 Jun 2017

But it's the depiction of the loneliness and resignation in the surviving few that resounds the loudest, even when Shults's now-trademark minimalism…

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Review of The Mummy (2017)

By Travis Hopson (923) for Punch Drunk Critics (518) on 06 Jun 2017

a surprisingly fun, thrilling, and adventurous film that takes most of its cues from Indiana Jones than the horrors of a bygone era…

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Review of Berlin Syndrome (2017)

By Travis Hopson (923) for Punch Drunk Critics (518) on 04 Jun 2017

it's a deep look inside the minds of the predator and his prey that the big screen rarely affords…

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Review of Megan Leavey (2017)

By Travis Hopson (923) for Punch Drunk Critics (518) on 02 Jun 2017

It's impossible not to think of Megan and Rex as a duo, as soldiers-in-arms on equal footing with one another…

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