Movie Reviews Published by Punch Drunk Critics - Page 16 of 26

301-320 of 518 Reviews

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Review of Fallen (2016)

By Travis Hopson (923) for Punch Drunk Critics (518) on 06 Sep 2017

It didn't take long for Twilight to fall into self-parody and we've seen the YA brand evolve as a result, with diminishing results…

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Review of Home Again (2017)

By Travis Hopson (923) for Punch Drunk Critics (518) on 06 Sep 2017

Meyers-Shyer has been stealing mom's notes because she too has found a fondness for the ludicrous romantic entanglements of the elite class…

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Review of It (2017)

By Travis Hopson (923) for Punch Drunk Critics (518) on 05 Sep 2017

IT is beyond a shadow of a doubt the most blood-curdling film of the year and possibly the best King adaptation yet…

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Review of Tulip Fever (2017)

By Travis Hopson (923) for Punch Drunk Critics (518) on 31 Aug 2017

Tulip Fever is here and it's about as boring as a movie about tulips probably ought to be…

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Review of Goon: Last of the Enforcers (2017)

By Travis Hopson (923) for Punch Drunk Critics (518) on 31 Aug 2017

That Goon: Last of the Enforcers aspires to be about more than hockey when it absolutely doesn't have to is why it's a shot that hits the back…

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Review of I Do... Until I Don't (2017)

By Travis Hopson (923) for Punch Drunk Critics (518) on 28 Aug 2017

I Do...Until I Don't isn't worthy of a long-term relationship or a brief fling; it's a home wrecker of a comedy best to be avoided…

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Review of Leap (2017)

By Roxana Hadadi (336) for Punch Drunk Critics (518) on 27 Aug 2017

Leap! follows a pretty simple formula, but the animation during the ballet scenes is lively and well-done…

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Review of Bushwick (2017)

By Travis Hopson (923) for Punch Drunk Critics (518) on 24 Aug 2017

Bushwick plays like Red Dawn by way of John Carpenter, and deserves to sit pretty high up in the sub-genre of paramilitary invasion flicks…

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Review of Beach Rats (2017)

By Travis Hopson (923) for Punch Drunk Critics (518) on 24 Aug 2017

This is a better example of Hittman's skills as a filmmaker than her previous film was, even if the story is less compelling…

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Review of Shot Caller (2017)

By Travis Hopson (923) for Punch Drunk Critics (518) on 21 Aug 2017

The particulars are nothing we haven't seen before, but it's the deep characterization of Waldau's character that sets Shot Caller apart…

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Review of Good Time (2017)

By Travis Hopson (923) for Punch Drunk Critics (518) on 17 Aug 2017

It's a genuine thrill, and a big part of it is that the Safdies, and Pattinson, never soften up on Connie's rough edges…

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Review of The Hitman's Bodyguard (2017)

By Travis Hopson (923) for Punch Drunk Critics (518) on 15 Aug 2017

I imagine the majority of filming The Hitman's Bodyguard was Reynolds and Jackson bouncing snark off of one another like a freshly-tossed smoke…

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Review of Logan Lucky (2017)

By Travis Hopson (923) for Punch Drunk Critics (518) on 15 Aug 2017

Some will write off Logan Lucky as one of Soderbergh's most frivolous efforts, but that would be a mistake…

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Review of The Only Living Boy in New York (2017)

By Travis Hopson (923) for Punch Drunk Critics (518) on 10 Aug 2017

It's a film that takes itself a little too seriously in an effort to be intellectual, but you'll enjoy it more if you don't…

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Review of The Glass Castle (2017)

By Travis Hopson (923) for Punch Drunk Critics (518) on 09 Aug 2017

Even if The Glass Castle isn't as sturdy as it should be, it's a strong effort that can survive a few cracks…

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Review of Armed Response (2017)

By Travis Hopson (923) for Punch Drunk Critics (518) on 09 Aug 2017

The only real mystery is if Snipes will rebound from this into better projects, or if movies this cheap and uninspiring will be his new normal…

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Review of Pilgrimage (2017)

By Travis Hopson (923) for Punch Drunk Critics (518) on 09 Aug 2017

Any movie set in the Middle Ages worth its salt will be graphic and gory, and Pilgrimage fits the bill…

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Review of The Dark Tower (2017)

By Travis Hopson (923) for Punch Drunk Critics (518) on 02 Aug 2017

Director Nikolaj Arcel's version of King's magnum opus is slight, a skin 'n bones adaptation that teases a greater mythology but depicts little of it…

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Review of Columbus (2017)

By Travis Hopson (923) for Punch Drunk Critics (518) on 31 Jul 2017

it's also gorgeous and pure, reflected not only in the otherworldly architecture of the titular Indiana town, but in the performances…

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Review of Strange Weather (2016)

By Roxana Hadadi (336) for Punch Drunk Critics (518) on 30 Jul 2017

As the focus of Strange Weather, Holly Hunter is her typical fantastic self, using her committed performance to ground a narrative about a…

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