Movie Reviews Published by Polygon - Page 19 of 34

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Review of The White Tiger (2021)

By Siddhant Adlakha (174) for Polygon (677) on 26 Jan 2021

The film is full of potent human drama (largely coming from Gourav’s performance), but as an examination of the world’s intersection with…

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Review of The Little Things (2021)

By Robert Daniels (336) for Polygon (677) on 26 Jan 2021

Hancock, in what might be his best film, grazes with greatness by constructing an enthralling thriller that relies on the talent of its three…

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Review of Locked Down (2021)

By Quinci Legardye (5) for Polygon (677) on 15 Jan 2021

Rather than being depressing or overly nihilistic, Locked Down fills the situation with a dry humor and slight absurdity which, combined with…

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Review of Locked Down (2021)

By Quinci Legardye (5) for Polygon (677) on 15 Jan 2021

Rather than being depressing or overly nihilistic, Locked Down fills the situation with a dry humor and slight absurdity which, combined with…

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Review of LOCKED DOWN (2021)

By Quinci Legardye (5) for Polygon (677) on 15 Jan 2021

Rather than being depressing or overly nihilistic, Locked Down fills the situation with a dry humor and slight absurdity which, combined with…

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Review of One Night in Miami... (2020)

By Siddhant Adlakha (174) for Polygon (677) on 15 Jan 2021

In spite of its heavy subject matter, it’s also one of the most electrifying and downright fun historical dramas to come out of Hollywood in years…

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Review of Soul (2020)

By Tasha Robinson (753) for Polygon (677) on 23 Dec 2020

Soul feels like the best Pixar movies used to feel — deeply humanistic, with both silly, kid-friendly humor and a sincere solemnity that…

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Review of Skylines (2020)

By Tasha Robinson (753) for Polygon (677) on 18 Dec 2020

The first two movies are packed with “I can’t believe that just happened!” moments…

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Review of Godmothered (2020)

By Petrana Radulovic (45) for Polygon (677) on 17 Dec 2020

The result is a movie that interrogates Disney tropes but actually delivers on dismantling them…

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Review of The Prom (2020)

By Roxana Hadadi (336) for Polygon (677) on 17 Dec 2020

The film’s ultimate admiration of celebrity is only vaguely tolerable because its concurrent message of inclusivity is theoretically admirable…

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Review of Ammonite (2020)

By Siddhant Adlakha (174) for Polygon (677) on 17 Dec 2020

Whether strictly factual or broadly truthful in a poetic sense, its approach to queer history as coded, long-buried document is its most exacting…

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Review of Promising Young Woman (2020)

By Roxana Hadadi (336) for Polygon (677) on 17 Dec 2020

The brightly rendered details and Mulligan’s full-throated performance accessorize a film that ultimately might not be as groundbreaking…

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Review of Mank (2020)

By Jesse Hassenger (800) for Polygon (677) on 17 Dec 2020

Fincher’s movie about movies seems to be about attempting to work within a system that’s encompassing enough to impose itself on fantasies…

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Review of The Intergalactic Adventures of Max Cloud (2020)

By Andrew Crump (271) for Polygon (677) on 17 Dec 2020

Without spoiling either Max Cloud’s action or its comedy, Owen makes the running gag about Max’s macho bluster into some of the sharpest…

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Review of Wonder Woman 1984 (2020)

By Seanan Mcguire (1) for Polygon (677) on 15 Dec 2020

The current DC movie universe is always dark, but it seems that with a movie drenched in the neon aesthetic of the ’80s, they’ve finally…

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Review of The Midnight Sky (2020)

By Robert Daniels (336) for Polygon (677) on 09 Dec 2020

The ticking clock makes The Midnight Sky a post-apocalyptic survivalist space film whose narrative is so overloaded that the emotional weight…

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Review of Dolly Parton's Christmas on the Square (2020)

By Petrana Radulovic (45) for Polygon (677) on 23 Nov 2020

Part cheesy Hallmark movie, part community-theater production, part A Christmas Carol meets It’s a Wonderful Life, the special is a mosaic…

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Review of Jiu Jitsu (2020)

By Keith Phipps (1,177) for Polygon (677) on 23 Nov 2020

Though any Cage-free attempts at comedy fall flat, the action remains exciting, thanks in large part to Logothetis’ steady-handed, no-frills…

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Review of Freaky (2020)

By Roxana Hadadi (336) for Polygon (677) on 13 Nov 2020

Freaky boasts such energetic performances from the thoroughly game Kathryn Newton and Vince Vaughn that the horror-comedy breezes by in a pleasant,…

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Review of Hillbilly Elegy (2020)

By Robert Daniels (336) for Polygon (677) on 10 Nov 2020

Hillbilly Elegy is a prime example of a systemic failure, from script to craft to acting…

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