Movie Reviews Published by Polygon - Page 18 of 34

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Review of The SpongeBob Movie: Sponge on the Run (2020)

By Siddhant Adlakha (174) for Polygon (677) on 04 Mar 2021

While this movie may feel like a Simpsons-esque case of a series failing to recapture lost grandeur, the result is still mile-a-minute fun…

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Review of Coming 2 America (2021)

By Robert Daniels (336) for Polygon (677) on 04 Mar 2021

Murphy’s charm, his close chemistry with Hall, Snipes’ wily performance, and the resplendent costumes uplift this nostalgia trip…

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Review of Chaos Walking (2021)

By Jesse Hassenger (800) for Polygon (677) on 03 Mar 2021

In classic unpredictable Liman fashion, this jumbled and seemingly truncated adaptation of the first book in a YA trilogy is nonetheless likable,…

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Review of Tom & Jerry (2021)

By Jesse Hassenger (800) for Polygon (677) on 01 Mar 2021

Tom & Jerry feels freer in its moments of unbridled cartoon silliness than it ever does when it’s attending to its human plotting…

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Review of Biggie: I Got a Story to Tell (2021)

By Joshua Rivera (91) for Polygon (677) on 01 Mar 2021

I Got a Story to Tell is a movie without a clear audience…

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Review of Billie Eilish: The World's a Little Blurry (2021)

By Joshua Rivera (91) for Polygon (677) on 01 Mar 2021

In spite of its roughly chronological timeline, The World’s A Little Blurry is formless, less a slickly crafted come-up story and more a…

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Review of The United States vs. Billie Holiday (2021)

By Roxana Hadadi (336) for Polygon (677) on 26 Feb 2021

Billie Holiday’s skills as a talented singer, vibrant performer, and intuitive improviser never come first…

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Review of Cherry (2021)

By Matt Patches (283) for Polygon (677) on 25 Feb 2021

Ultimately, everything in Cherry is a trope, and everything rings false…

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Review of Monster Hunter (2020)

By Chelsea Stark (3) for Polygon (677) on 24 Feb 2021

It’s hard to say if it’s comprehensible to someone who doesn’t love the series, but its bombastic action hardly lags during its hour-and-a-half…

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Review of Monster Hunter (2020)

By Chelsea Stark (3) for Polygon (677) on 24 Feb 2021

It’s hard to say if it’s comprehensible to someone who doesn’t love the series, but its bombastic action hardly lags during its hour-and-a-half…

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Review of Barb & Star Go to Vista Del Mar (2021)

By Matt Patches (283) for Polygon (677) on 12 Feb 2021

The new comedy Barb & Star Go to Vista Del Mar cashes in all the mainstream cred accrued by writer-actors Kristin Wiig and Annie Mumolo after…

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Review of To All the Boys: Always and Forever (2021)

By Petrana Radulovic (45) for Polygon (677) on 12 Feb 2021

While the movie contains some genuine heartfelt moments, the thread connecting them all is flimsy, and the core conflict is overdone…

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Review of Space Sweepers (2021)

By Kambole Campbell (73) for Polygon (677) on 12 Feb 2021

Imagining space as an extension of earthly capitalism certainly isn’t new, but at least Space Sweepers’ cast has the collective charm to…

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Review of Prisoners of the Ghostland (2021)

By Matt Patches (283) for Polygon (677) on 01 Feb 2021

It’s one of the director’s more mainstream efforts…

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Review of Finding ʻOhana (2021)

By Petrana Radulovic (45) for Polygon (677) on 01 Feb 2021

For the most part, Weng weaves adventure and sentimentality together, but when it comes down to it, Finding ’Ohana works when it focuses…

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Review of Coda (2021)

By Matt Patches (283) for Polygon (677) on 31 Jan 2021

The UK-born Jones apparently learned to sign, sing, and put on an American accent for the role, and you’d never know it — she holds the…

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Review of Earwig and the Witch (2021)

By Tasha Robinson (753) for Polygon (677) on 31 Jan 2021

Purists could well complain at how far Howl’s Moving Castle departs from Jones’ terrific story in order to wedge in Hayao Miyazaki’s…

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Review of How It Ends (2021)

By Tasha Robinson (753) for Polygon (677) on 31 Jan 2021

It’s a pleasant enough hangout movie, and someday it may be held up as a slanted portrait of what mid-2020 felt like for people privileged…

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Review of CODA (2021)

By Matt Patches (283) for Polygon (677) on 31 Jan 2021

The UK-born Jones apparently learned to sign, sing, and put on an American accent for the role, and you’d never know it — she holds the…

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Review of Cryptozoo (2021)

By Tasha Robinson (753) for Polygon (677) on 31 Jan 2021

Nothing about where the story is going or how it’ll get there stylistically can be taken for granted…

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