Movie Reviews Published by Paste Magazine - Page 34 of 146

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Review of Listening to Kenny G (2021)

By Sydney Urbanek (4) for Paste Magazine (2,906) on 21 Sep 2021

Since Kenneth Gorelick isn’t actually interested in being separated from Kenny G, Lane’s real task becomes imbuing the aggregate with some…

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Review of Benedetta (2021)

By Natalia Keogan (119) for Paste Magazine (2,906) on 21 Sep 2021

The carnal Catholicism which permeates the film is at this point to be expected from the 83-year-old Dutch filmmaker—but equally so is the…

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Review of The Eyes of Tammy Faye (2021)

By Jacob Oller (247) for Paste Magazine (2,906) on 20 Sep 2021

The weary and plodding story putters along the redemption arc’s curve, losing faith even in itself along the way…

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Review of The Starling (2021)

By Tara Bennett (62) for Paste Magazine (2,906) on 20 Sep 2021

With all the elements on hand to achieve something of note, The Starling disappointingly reduces the complexity of loss, grief and forgiveness…

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Review of Best Sellers (2021)

By Andrew Crump (271) for Paste Magazine (2,906) on 17 Sep 2021

Most of Best Sellers’ problems have to do with structure instead of performance, so there’s not much that Plaza and Caine can do…

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Review of Nightbooks (2021)

By Tara Bennett (62) for Paste Magazine (2,906) on 16 Sep 2021

By story’s end, I was happy to spend time in this original story that treats younger audiences, and the horror genre, with respect…

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Review of Prisoners of the Ghostland (2021)

By Dom Sinacola (87) for Paste Magazine (2,906) on 16 Sep 2021

Ghostland is a movie and place borne from nuclear disaster, populated with the denizens of countless B-movies and the spectres of whiplash…

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Review of Cry Macho (2021)

By Jacob Oller (247) for Paste Magazine (2,906) on 15 Sep 2021

Eastwood’s been riding off into the sunset for decades now, and Cry Macho’s creaky, lackadaisical hat-wave is a feature-length parody of…

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Review of The Nowhere Inn (2021)

By Jesse Hassenger (800) for Paste Magazine (2,906) on 15 Sep 2021

Early on, the self-deprecating stuff takes on a studied air, and in the final stretch, the filmmakers seem to think they can shock-cut and…

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Review of Malignant (2021)

By Lex Briscuso (44) for Paste Magazine (2,906) on 13 Sep 2021

Between sufficient scares and a puzzling yet promising narrative that takes shape in a wild fever that matches the intensity of the nearly…

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Review of Language Lessons (2021)

By Andrew Crump (271) for Paste Magazine (2,906) on 09 Sep 2021

Duplass and Morales play their parts with honesty and grace; they write those parts and the drama between them with straightforward understanding…

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Review of The Card Counter (2021)

By Lex Briscuso (44) for Paste Magazine (2,906) on 09 Sep 2021

It’s clear both The Card Counter and First Reformed are cut from that same cloth, though the latter sticks the landing better than the former…

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Review of Kate (2021)

By Jesse Hassenger (800) for Paste Magazine (2,906) on 08 Sep 2021

It would be a stretch to call Kate a modern Western, but it has a certain gunslinger sensibility that mitigates any self-conscious edginess…

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Review of Martyrs Lane (2022)

By Jacob Oller (247) for Paste Magazine (2,906) on 07 Sep 2021

Familiar pieces playing a familiar game to familiar ends won’t make Martyrs Lane anyone’s favorite horror movie, but it’s put together…

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Review of Come from Away (2021)

By Amy Amatangelo (36) for Paste Magazine (2,906) on 07 Sep 2021

Beauty from tragedy is the foundation of Come From Away. An enduring message for us all…

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Review of Worth (2021)

By Jacob Oller (247) for Paste Magazine (2,906) on 07 Sep 2021

A story that could truly individualize a massive, era-defining tragedy…

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Review of Cinderella (2021)

By Amy Amatangelo (36) for Paste Magazine (2,906) on 03 Sep 2021

In her debut theatrical performance, Cabello is charming and handles the script, particularly the throwaway lines that lovingly mock the genre,…

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Review of Cinderella (2021)

By Amy Amatangelo (36) for Paste Magazine (2,906) on 03 Sep 2021

In her debut theatrical performance, Cabello is charming and handles the script, particularly the throwaway lines that lovingly mock the genre,…

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Review of Wild Indian (2021)

By Andrew Crump (271) for Paste Magazine (2,906) on 02 Sep 2021

Wild Indian doesn’t have answers. There aren’t any. Instead, there are experiences, and Corbine Jr…

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Review of Faya Dayi (2021)

By Dom Sinacola (87) for Paste Magazine (2,906) on 02 Sep 2021

Like RaMell Ross’s Hale County This Morning, This Evening, Faya Dayi wanders lovely, liminal spaces between narrative and fairytale, between…

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