Movie Reviews Published by Paste Magazine - Page 33 of 146

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Review of Petite Maman (2021)

By Brianna Zigler (58) for Paste Magazine (2,906) on 07 Oct 2021

With a gentle touch, Sciamma crafts a profound, easily digestible film that takes heavy themes and makes them bite-sized…

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Review of LAMB (2021)

By Jacob Oller (247) for Paste Magazine (2,906) on 07 Oct 2021

Bleak and crisp and cold as an Icelandic waterfall, Lamb is a movie with a sheepheaded toddler in great knitwear, the vague looming of something…

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Review of Memoria (2021)

By Natalia Keogan (119) for Paste Magazine (2,906) on 06 Oct 2021

Time melts beyond its tangible limits when watching Memoria, resulting in an audiovisual trance disorienting in its peculiar placidity…

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Review of No Time to Die (2021)

By Jesse Hassenger (800) for Paste Magazine (2,906) on 06 Oct 2021

No Time to Die is neither lean nor mean; it’s a hard-working attempt to reconcile the Bond rituals with a series-finale emotional weight…

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Review of C'mon C'mon (2021)

By Natalia Keogan (119) for Paste Magazine (2,906) on 05 Oct 2021

In amplifying the diverse voices of American children through the film’s radio vérité subplot, C’mon C’mon proves that kids have some…

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Review of The French Dispatch of the Liberty, Kansas Evening Sun (2021)

By Brianna Zigler (58) for Paste Magazine (2,906) on 04 Oct 2021

The film becomes a wry showcase for the director’s evolution as a creative who has been refining an unparalleled style for over two decades,…

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Review of The Power of the Dog (2021)

By Brianna Zigler (58) for Paste Magazine (2,906) on 04 Oct 2021

It’s easy to find yourself so wrapped up in the austere unease of Campion’s first feature in over a decade that one might fully overlook…

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Review of There's Someone Inside Your House (2021)

By Jim Vorel (49) for Paste Magazine (2,906) on 04 Oct 2021

Unfortunately, There’s Someone Inside Your House is a considerably more rote endeavor in mass-market horror filmmaking—competently shot…

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Review of The Velvet Underground (2021)

By Brianna Zigler (58) for Paste Magazine (2,906) on 01 Oct 2021

The Velvet Underground will leave one less acquainted with the band with an incomplete picture in mind, but it’s unfair to say that the film…

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Review of The Many Saints of Newark (2021)

By Jacob Oller (247) for Paste Magazine (2,906) on 01 Oct 2021

While Chase, Taylor and Konner figure out a way to give us a half-assed rundown of the gangster rise-and-fall we saw again and again in the…

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Review of Red Rocket (2021)

By Natalia Keogan (119) for Paste Magazine (2,906) on 29 Sep 2021

By way of candid humor, a magnetic performance from Rex and Baker’s careful attention for authenticity, Red Rocket is a sympathetic profile…

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Review of The Souvenir: Part II (2021)

By Natalia Keogan (119) for Paste Magazine (2,906) on 28 Sep 2021

As a standalone film, The Souvenir provides Hogg with the means to articulate and meditate on her past, creating a work that is bleakly beautiful…

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Review of Drive My Car (2021)

By Natalia Keogan (119) for Paste Magazine (2,906) on 27 Sep 2021

Though Drive My Car reaches a significantly less smoldering conclusion than Burning, it channels a similar feeling of catharsis…

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Review of Dear Evan Hansen (2021)

By Jacob Oller (247) for Paste Magazine (2,906) on 27 Sep 2021

I could dig into any number of the movie’s unfortunate choices, bad decisions or downright detestable elements—sprinkling in faint praise…

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Review of Vortex (2022)

By Brianna Zigler (58) for Paste Magazine (2,906) on 27 Sep 2021

Vortex, while visually captivating, only functions as a window through which to look at death detached from the beauty of life…

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Review of The Tragedy of Macbeth (2021)

By Natalia Keogan (119) for Paste Magazine (2,906) on 27 Sep 2021

Joel Coen’s Macbeth lacks risk, ingenuity and, most importantly, reward…

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Review of The Tragedy of Macbeth (2021)

By Natalia Keogan (119) for Paste Magazine (2,906) on 27 Sep 2021

Joel Coen’s Macbeth lacks risk, ingenuity and, most importantly, reward…

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Review of I'm Your Man (2021)

By Tara Bennett (62) for Paste Magazine (2,906) on 27 Sep 2021

German director Maria Schrader almost achieves that sweet spot with I’m Your Man, but gets a little muddled in her storytelling in the last…

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Review of Vortex (2021)

By Brianna Zigler (58) for Paste Magazine (2,906) on 27 Sep 2021

Vortex, while visually captivating, only functions as a window through which to look at death detached from the beauty of life…

Read Review

Review of Titane (2021)

By Brianna Zigler (58) for Paste Magazine (2,906) on 22 Sep 2021

Titane is not just 108 bloody minutes of bodily mutilation and perversion, but of blazing chaos inherent in our human need for acceptance…

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