Movie Reviews Published by Paste Magazine - Page 21 of 146

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Review of Minions: The Rise of Gru (2022)

By Aurora Amidon (74) for Paste Magazine (2,906) on 05 Jul 2022

While a lot of this stuff is undeniably enjoyable, it also resembles a frenzied fever dream…

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Review of Hello, Goodbye, and Everything in Between (2022)

By Aurora Amidon (74) for Paste Magazine (2,906) on 05 Jul 2022

While Hello, Goodbye, and Everything in Between boasts a solid premise (Who doesn’t want to see two charismatic teens embark on a breakup…

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Review of The Long Night (2022)

By Matt Donato (975) for Paste Magazine (2,906) on 30 Jun 2022

The Long Night’s understanding of horror genre fulfillment is nonexistent, no more satisfying than rice cakes with a little red food coloring…

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Review of Blasted (2022)

By Natalia Keogan (119) for Paste Magazine (2,906) on 29 Jun 2022

Silently dumped onto Netflix and non-existent as an entry on Letterboxd, Blasted is a perfectly fine sci-fi comedy destined to fade into obscurity…

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Review of Marcel the Shell with Shoes On (2022)

By Tara Bennett (62) for Paste Magazine (2,906) on 28 Jun 2022

Marcel the Shell with Shoes On gives us the opportunity for a delicate, whimsical and poignant escape that will make you feel stronger, taller…

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Review of Don't Make Me Go (2022)

By Jesse Hassenger (800) for Paste Magazine (2,906) on 28 Jun 2022

Even some of its rawest emotional moments feel studiously cribbed from other movies, which is probably why not a single thing any character…

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Review of Elvis (2022)

By Saffron Maeve (9) for Paste Magazine (2,906) on 27 Jun 2022

It’s clear that Luhrmann has a genuine affection for his eponymous star—having ensured that the film’s contents were above-board with…

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Review of The Man from Toronto (2022)

By Natalia Keogan (119) for Paste Magazine (2,906) on 24 Jun 2022

While the Netflix Original film manages to sneak in a few genuinely funny moments, it’s not nearly as action-packed, suspenseful or humorous…

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Review of Beavis and Butt-Head Do the Universe (2022)

By Dom Sinacola (87) for Paste Magazine (2,906) on 22 Jun 2022

A legacy sequel that does nothing to revitalize its characters, expand its canon, extend (heh) its mythos, or even really tell a new joke…

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Review of Revealer (2022)

By Matt Donato (975) for Paste Magazine (2,906) on 22 Jun 2022

Revealer aims for a seedy, late-night Cinemax vibe and successfully tells a story about the horrors of oppressing individual expression, but…

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Review of Bitterbrush (2022)

By Aurora Amidon (74) for Paste Magazine (2,906) on 21 Jun 2022

The audience is asked to watch a number of anticlimactic, inconsequential moments for just a little too long, which ends up dull…

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Review of The Black Phone (2022)

By Jesse Hassenger (800) for Paste Magazine (2,906) on 21 Jun 2022

Though its actual storytelling is pretty arbitrary, The Black Phone has the emotional simplicity of a children’s film, wearing its grit like makeup…

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Review of Jerry & Marge Go Large (2022)

By Amy Amatangelo (36) for Paste Magazine (2,906) on 20 Jun 2022

In an industry still obsessed with youth, the message of Jerry & Marge Go Large is one worth celebrating…

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Review of Civil: Ben Crump (2022)

By Kevin Fox, Jr. (26) for Paste Magazine (2,906) on 17 Jun 2022

While informative and worth watching, it’s much more of a self-authored back-pat than a critical exploration of a career or the justice system…

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Review of After Blue (Dirty Paradise) (2022)

By Saffron Maeve (9) for Paste Magazine (2,906) on 16 Jun 2022

To its credit, After Blue is very easy on the eyes, reminiscent of the kitschy, saturated pulp mags Mandico is clearly borrowing from…

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Review of Father of the Bride (2022)

By Amy Amatangelo (36) for Paste Magazine (2,906) on 15 Jun 2022

Seeing successful Latino families in a storyline that has been heretofore just been told from a white perspective is important…

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Review of Mad God (2021)

By Dom Sinacola (87) for Paste Magazine (2,906) on 15 Jun 2022

Tippett purges his Id until he’s wrung the last bit of bile from the Assassin’s journey, but even throughout all the harrowing imagery,…

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Review of Brian and Charles (2022)

By Aurora Amidon (74) for Paste Magazine (2,906) on 14 Jun 2022

Brian and Charles isn’t striving to be a technical achievement, and it works well as a thoughtful, sentimental, funny, uplifting buddy comedy…

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Review of Lightyear (2022)

By Jacob Oller (247) for Paste Magazine (2,906) on 13 Jun 2022

Lightyear is a beautiful starship with precious genre cargo, functional and direct in its simple mission to carry on…

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Review of Jurassic World Dominion (2022)

By Jacob Oller (247) for Paste Magazine (2,906) on 08 Jun 2022

The Jurassic World franchise may have willingly chosen extinction with this final entry, but Dominion would’ve killed it off anyways…

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