Movie Reviews Published by Paste Magazine - Page 20 of 146

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Review of We Met in Virtual Reality (2022)

By Aurora Amidon (74) for Paste Magazine (2,906) on 27 Jul 2022

It’s a humble exploration of a fascinating and untapped community, reminiscent of great cinéma verité documentarians like Frederick Wiseman…

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Review of Nope (2022)

By Saffron Maeve (9) for Paste Magazine (2,906) on 26 Jul 2022

Though Peele routinely prods at the Hollywood machine and its spectacles, here he unlades it all: Image-making as brutality, catharsis, posterity,…

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Review of Not Okay (2022)

By Lex Briscuso (44) for Paste Magazine (2,906) on 21 Jul 2022

The movie is an incessant interrogation of what our young people are becoming, what they want and what the rules are to get it, yet its humor…

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Review of Alone Together (2022)

By Aurora Amidon (74) for Paste Magazine (2,906) on 20 Jul 2022

Despite its flaws, Alone Together turns out to be quite poignant, and gets around to conveying a truly optimistic message…

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Review of Alone Together (2022)

By Aurora Amidon (74) for Paste Magazine (2,906) on 20 Jul 2022

Despite its flaws, Alone Together turns out to be quite poignant, and gets around to conveying a truly optimistic message…

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Review of Anything's Possible (2022)

By Amy Amatangelo (36) for Paste Magazine (2,906) on 20 Jul 2022

While never didactic or patronizing, the movie should expand the horizons of some viewers and be validating for others who may see themselves…

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Review of The Day the Music Died: The Story of Don McLean's "American Pie" (2022)

By Aurora Amidon (74) for Paste Magazine (2,906) on 19 Jul 2022

Despite the documentary’s scattered approach, it’s not exactly a chore to take interest in the backstory of such an iconic moment in American…

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Review of Aftershock (2022)

By Natalia Keogan (119) for Paste Magazine (2,906) on 19 Jul 2022

In exposing the horrifying reality of giving birth while Black—and providing tangible alternatives for increasingly dangerous hospital births—Aftershock…

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Review of Flux Gourmet (2022)

By Saffron Maeve (9) for Paste Magazine (2,906) on 18 Jul 2022

Flux Gourmet is all foreplay, a fairly impressive 111-minute bit with an anemic climax…

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Review of Karmalink (2022)

By Kevin Fox, Jr. (26) for Paste Magazine (2,906) on 18 Jul 2022

Karmalink is a very good story about child detectives trying to make do in an imbalanced and unfair world…

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Review of Anonymous Club (2022)

By Natalia Keogan (119) for Paste Magazine (2,906) on 14 Jul 2022

Though Cohen has made a formidable name for himself in the visual aesthetics of rock ‘n’ roll, his feature debut is unfocused and emotionally…

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Review of Mrs. Harris Goes to Paris (2022)

By Aurora Amidon (74) for Paste Magazine (2,906) on 14 Jul 2022

Directed by Anthony Fabian and written by Fabian, Carroll Cartwright, Leigh Thompson and Olivia Hetreed, Mrs…

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Review of The Gray Man (2022)

By Jacob Oller (247) for Paste Magazine (2,906) on 14 Jul 2022

None of The Gray Man’s still-Bourne thrills are executed with the precise elegance of John Wick, the winking doggery of James Bond or the…

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Review of The Deer King (2021)

By Max Covill (13) for Paste Magazine (2,906) on 13 Jul 2022

In addition to a story about a found family and the potential for a life-saving vaccine, there are more than four other stories unfolding…

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Review of Where the Crawdads Sing (2022)

By Jacob Oller (247) for Paste Magazine (2,906) on 12 Jul 2022

Where the Crawdads Sing is shallow, predictable and just broad enough that you can understand why it sold so well as a half-lurid paperback…

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Review of Thor: Love and Thunder (2022)

By Michael Burgin (54) for Paste Magazine (2,906) on 11 Jul 2022

The result is a movie significantly more flawed than its franchise predecessor yet more fun than anything we’ve seen in Phase 4 thus far…

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Review of Murina (2022)

By Natalia Keogan (119) for Paste Magazine (2,906) on 07 Jul 2022

While the script co-written by Kusijanovic and Frank Graziano is hardly revelatory, Murina is nonetheless a strong directorial effort from…

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Review of The Sea Beast (2022)

By Jacob Oller (247) for Paste Magazine (2,906) on 06 Jul 2022

A delightful new-school deconstruction of old-school Romantic adventure that never compromises on the lushness of setting, color and emotion…

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Review of Rubikon (2022)

By Aurora Amidon (74) for Paste Magazine (2,906) on 05 Jul 2022

What should be one of the most adrenaline-pinching films of the year has about as much tension as a K-Mart commercial…

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Review of The Forgiven (2022)

By Jesse Hassenger (800) for Paste Magazine (2,906) on 05 Jul 2022

It’s telling that The Forgiven has the shape of a long, dark night of the soul, while actually taking place over several days…

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