Movie Reviews Published by Paste Magazine - Page 14 of 146

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Review of Black Adam (2022)

By Abby Olcese (108) for Paste Magazine (2,906) on 20 Oct 2022

It all adds up to another frantic grab by a studio desperate to wring success from a superhero universe they’ve never fully understood…

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Review of Armageddon Time (2022)

By Brianna Zigler (58) for Paste Magazine (2,906) on 20 Oct 2022

Armageddon Time is a thoughtful examination of one’s own limited perspective of whiteness, expounding upon how a young child’s naivete…

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Review of White Noise (2022)

By Luke Hicks (31) for Paste Magazine (2,906) on 19 Oct 2022

At the heart of everything White Noise gets at in regards to the American condition (and the human condition, for that matter) is a searing,…

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Review of White Noise (2022)

By Luke Hicks (31) for Paste Magazine (2,906) on 19 Oct 2022

At the heart of everything White Noise gets at in regards to the American condition (and the human condition, for that matter) is a searing,…

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Review of Bitch Ass (2022)

By Andrew Crump (271) for Paste Magazine (2,906) on 18 Oct 2022

Posley balances Bitch Ass’ moral dilemma with clever, exuberant filmmaking…

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Review of Rosaline (2022)

By Kathy Michelle Chacon (11) for Paste Magazine (2,906) on 18 Oct 2022

Rosaline gets some things absolutely right—the casting of Dever, the use of music to lampoon genre clichés, its creative point of view—but…

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Review of Broker (2022)

By Kayti Burt (21) for Paste Magazine (2,906) on 18 Oct 2022

Every baby deserves to be loved and taken care of, but so does every adult…

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Review of All the Beauty and the Bloodshed (2022)

By Luke Hicks (31) for Paste Magazine (2,906) on 17 Oct 2022

Bloodshed is structured into two intersplicing sections charging forward at a rate of devastation your tear ducts absolutely cannot keep up with…

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Review of Old Man (2022)

By Matt Donato (975) for Paste Magazine (2,906) on 17 Oct 2022

McKee’s darker genre touches in titles like The Woman and All Cheerleaders Die are sorely missed in Old Man, which is too reliant on performances…

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Review of Stars at Noon (2022)

By Natalia Keogan (119) for Paste Magazine (2,906) on 17 Oct 2022

The final product is visually and sonically luscious, but narratively and thematically lackluster—a frustrated misstep from a veteran artist…

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Review of Halloween Ends (2022)

By Jim Vorel (49) for Paste Magazine (2,906) on 14 Oct 2022

In truth, the entirety of Halloween Ends is suffused in some kind of magic or witchcraft, a gauzy layer of unreality that prevents a single…

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Review of Decision to Leave (2022)

By Brianna Zigler (58) for Paste Magazine (2,906) on 13 Oct 2022

While not Park’s best work, nor a masterpiece, Decision to Leave is an extravagant and hopelessly romantic thriller that weaves past and…

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Review of She Said (2022)

By Jesse Hassenger (800) for Paste Magazine (2,906) on 13 Oct 2022

Schrader pushes the somber score and just-the-facts cinematography as close to pure explication as possible…

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Review of Scarlet (2023)

By Jesse Hassenger (800) for Paste Magazine (2,906) on 12 Oct 2022

As-is, Scarlet is a beautiful loll, content with its self-made magic…

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Review of To Leslie (2022)

By Aurora Amidon (74) for Paste Magazine (2,906) on 12 Oct 2022

Leslie’s journey is at once unflinchingly intimate, aching and melancholy—qualities accentuated by Larkin Seiple’s sublime cinematography,…

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Review of Scarlet (2023)

By Jesse Hassenger (800) for Paste Magazine (2,906) on 12 Oct 2022

As-is, Scarlet is a beautiful loll, content with its self-made magic…

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Review of Bones and All (2022)

By Brianna Zigler (58) for Paste Magazine (2,906) on 11 Oct 2022

Bones and All is a heart-tugging portrait of wayward spirits searching for belonging that deadens the genre of cannibal horror into digestible,…

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Review of Grimcutty (2022)

By Matt Donato (975) for Paste Magazine (2,906) on 11 Oct 2022

Too much of a good thing becomes John Ross’ curse, as Grimcutty renders his demonic scowl impotent after the umpteenth close-up…

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Review of Palm Trees and Power Lines (2023)

By Chloe Walker (42) for Paste Magazine (2,906) on 11 Oct 2022

While Palm Trees and Power Lines certainly functions as a cautionary tale, it derives the intensity of its power from the uncomfortable degree…

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Review of The Eternal Daughter (2022)

By Brianna Zigler (58) for Paste Magazine (2,906) on 11 Oct 2022

As a story about a mother and daughter trying to move on from old wounds and contextualize their relationship, the film is perfectly adequate…

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