Movie Reviews Published by Paste Magazine - Page 13 of 146

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Review of Next Exit (2022)

By Andrew Crump (271) for Paste Magazine (2,906) on 07 Nov 2022

If Elfman’s destination is grim, the journey she takes to get there is palliative…

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Review of Causeway (2022)

By Natalia Keogan (119) for Paste Magazine (2,906) on 07 Nov 2022

While Lawrence and Henry imbue each scene they share with oscillating doses of humor and melancholy, the final product feels somewhat strained…

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Review of The Estate (2022)

By Jesse Hassenger (800) for Paste Magazine (2,906) on 04 Nov 2022

Without any actual classicism to accompany Craig’s outdated notions of outrageousness, the movie quickly turns fustier than its edgy posturing…

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Review of Soft & Quiet (2022)

By Natalia Keogan (119) for Paste Magazine (2,906) on 04 Nov 2022

In depicting the rapid escalation from closeted bigotry to outright hate crime, Soft & Quiet communicates the urgency of identifying and standing…

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Review of You Resemble Me (2022)

By Luke Hicks (31) for Paste Magazine (2,906) on 03 Nov 2022

You Resemble Me starts as a coming-of-age story and mutates into the permanent falling apart of a woman invisible to society…

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Review of Please Baby Please (2022)

By Andrew Crump (271) for Paste Magazine (2,906) on 02 Nov 2022

Kramer’s filmmaking is vibrant, vital, easy to swallow while retaining astounding verbal density; you may wish for subtitles and a notepad…

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Review of Good Night Oppy (2022)

By Aurora Amidon (74) for Paste Magazine (2,906) on 02 Nov 2022

White takes care to illustrate that this isn’t just a riveting mission, emphasizing that—cushioned between spellbinding footage of a rocket…

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Review of Huesera: The Bone Woman (2023)

By Kevin Fox, Jr. (26) for Paste Magazine (2,906) on 02 Nov 2022

Huesera may have needed more scares or a darker ending to push it over the top, but as is, it’s a thoughtful meditation on choice, love and…

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Review of Return to Seoul (2022)

By Kayti Burt (21) for Paste Magazine (2,906) on 28 Oct 2022

Though I missed the larger context of Freddie’s life, Return to Seoul’s commitment to staying in the moment creates an engrossing cinematic…

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Review of Run Sweetheart Run (2020)

By Natalia Keogan (119) for Paste Magazine (2,906) on 27 Oct 2022

While the film contains some impressive scares, a phenomenal lead performance and steadfast central message, Run Sweetheart Run is far too…

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Review of Wendell & Wild (2022)

By Kevin Fox, Jr. (26) for Paste Magazine (2,906) on 27 Oct 2022

Wendell & Wild could get weighed down by these heavy themes, but its combination of satire and silliness keeps it light on its feet…

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Review of Ticket to Paradise (2022)

By Aurora Amidon (74) for Paste Magazine (2,906) on 27 Oct 2022

Ticket to Paradise has all the components for a successful rom-com: A strong cast, a playful and inventive premise, a beautiful location…

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Review of The Good Nurse (2022)

By Aurora Amidon (74) for Paste Magazine (2,906) on 25 Oct 2022

Once The Good Nurse establishes that something undeniably fishy is going on, it quickly cascades into a perfect amalgam of a tense detective…

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Review of EO (2022)

By Luke Hicks (31) for Paste Magazine (2,906) on 24 Oct 2022

EO seems to be getting at the rhythm of life—up, down, happy, sad, joyous, torturous, cyclical, always changing, never fully understood…

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Review of How to Blow Up a Pipeline (2023)

By Jacob Oller (247) for Paste Magazine (2,906) on 24 Oct 2022

What makes How to Blow Up a Pipeline great, is that it so deftly wins us to its cause anyway. It’s absolutely electric filmmaking…

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Review of All That Breathes (2022)

By Apariti Bhandari (1) for Paste Magazine (2,906) on 24 Oct 2022

The documentary uses the brothers and their relationship with the carrion birds as metaphors for the state of the environmental and political…

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Review of Argentina 1985 (2022)

By Natalia Keogan (119) for Paste Magazine (2,906) on 24 Oct 2022

Through capturing victim testimonies as they were presented in court during this months-long trial as well as the dogged pursuit for justice…

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Review of The Inspection (2022)

By Jesse Hassenger (800) for Paste Magazine (2,906) on 24 Oct 2022

For better and worse, The Inspection seems like the movie Bratton had to make, a story so personal that some of its biggest emotional confrontations…

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Review of Matriarch (2022)

By Andrew Crump (271) for Paste Magazine (2,906) on 21 Oct 2022

Just like the black ichor seeping into Laura, Matriarch saturates viewers’ senses until it pays off its many adumbrations with unexpected…

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Review of The School for Good and Evil (2022)

By Kathy Michelle Chacon (11) for Paste Magazine (2,906) on 21 Oct 2022

The School for Good and Evil is juvenile, over-the-top and campy in all the worst ways…

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