Movie Reviews Published by Observer - Page 10 of 53

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Review of The Batman (2022)

By Emily Zemler (55) for Observer (1,042) on 01 Mar 2022

Originally planned as a vehicle for Ben Affleck’s bland Batman, Reeves’ version hits left of center, offering a vision of the character…

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Review of The Desperate Hour (2022)

By Siddhant Adlakha (174) for Observer (1,042) on 17 Feb 2022

The filmmaking works in and of itself, but that Lakewood feels so emotionally in tune with its lead actress is a feat all on its own…

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Review of Uncharted (2022)

By Emily Zemler (55) for Observer (1,042) on 16 Feb 2022

In the same way F9 made no sense but was mostly fun to watch, Uncharted sometimes finds real moments of fast-paced entertainment…

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Review of Death on the Nile (2022)

By Emily Zemler (55) for Observer (1,042) on 11 Feb 2022

There’s an old-fashioned panache to the film that just works, offering viewers an undeniably enjoyable journey…

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Review of I Want You Back (2022)

By Emily Zemler (55) for Observer (1,042) on 11 Feb 2022

It’s mildly entertaining with a likeable cast. And when it ends, it’s a relationship you’ll move on from quickly…

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Review of Emily the Criminal (2022)

By Emily Zemler (55) for Observer (1,042) on 28 Jan 2022

Ford isn’t interested in a slick, high-speed thriller, and the action in Emily the Criminal feels grounded in reality…

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Review of The Matrix Resurrections (2021)

By Oliver Jones (215) for Observer (1,042) on 22 Dec 2021

The net effect of all this techno-philosophic yackety-yak is the not altogether pleasant feeling that you are simultaneously watching a movie…

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Review of Spider-Man: No Way Home (2021)

By Oliver Jones (215) for Observer (1,042) on 20 Dec 2021

The pace is always zippy but rarely hyper, and there is just enough space for the film’s many emotional beats to resonate…

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Review of The King's Man (2021)

By Oliver Jones (215) for Observer (1,042) on 17 Dec 2021

In its best moments, The King’s Man feels like you and your friends have just dumped out your great grandfather’s dusty crate of tin soldiers…

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Review of The Lost Daughter (2021)

By Emily Zemler (55) for Observer (1,042) on 17 Dec 2021

This is Gyllenhaal’s directorial debut, and in her capable hands the story is purposefully hazy, unfolding in both present day and disjointed…

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Review of The Tender Bar (2021)

By Oliver Jones (215) for Observer (1,042) on 16 Dec 2021

It’s diluted, a little flat, but sweet and familiar enough to evoke long ago memories, if not quite strong enough to give you a reason to…

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Review of West Side Story (2021)

By Rex Reed (1,506) for Observer (1,042) on 14 Dec 2021

This is a West Side Story for both the past and present, as pleasing as the best movie musicals used to be, and as relevant as today’s headlines…

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Review of Encanto (2021)

By Rafael Motamayor (108) for Observer (1,042) on 01 Dec 2021

From its predictably gorgeous yet unimaginative visuals, to its familiar songs and predictable story, the film does feel rather safe despite…

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Review of House of Gucci (2021)

By Rex Reed (1,506) for Observer (1,042) on 24 Nov 2021

Juicy, extravagant, glamorous, decadent and a crowd-pleasing carousel of euro-trash camp, Ridley Scott’s sordid saga about the rise and fall…

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Review of The Summit of the Gods (2021)

By Christopher L. Inoa (4) for Observer (1,042) on 24 Nov 2021

One of the truly great animated films this year, one that now places Imbert alongside fellow countrymen Jérémy Clapin (I Lost My Body) and…

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Review of Licorice Pizza (2021)

By Siddhant Adlakha (174) for Observer (1,042) on 24 Nov 2021

Licorice Pizza is the moment between the leap and the impact—the feeling of weightlessness even as you plummet…

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Review of Ghostbusters: Afterlife (2021)

By Oliver Jones (215) for Observer (1,042) on 18 Nov 2021

It is true that with Ghostbusters: Afterlife, Jason has entered the unofficial family business of trying and failing to recreate the inexplicable…

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Review of Belfast (2021)

By Rex Reed (1,506) for Observer (1,042) on 16 Nov 2021

The memories are vivid, but there’s no plot to connect them, and the film is rendered almost totally incomprehensible by accents as thick…

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Review of Mayor Pete (2021)

By Rex Reed (1,506) for Observer (1,042) on 16 Nov 2021

As the focus of Mayor Pete, a fascinating chronicle of his 2019-2020 campaign, he’s living proof that decency, integrity, and liberty and…

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Review of Spencer (2021)

By Siddhant Adlakha (174) for Observer (1,042) on 04 Nov 2021

Except for her accent and hair style, Stewart practically plays herself, creating a living document not only of recent British history, but…

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