Movie Reviews Published by Los Angeles Times - Page 46 of 649

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Review of In Balanchine's Classroom (2021)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 23 Sep 2021

The intimacy, warmth and humor of the memories give the footage of him teaching the feeling of watching home movies from the adoring offspring…

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Review of The Guilty (2021)

By Jessica Kiang (522) for Los Angeles Times (12,977) on 23 Sep 2021

Perhaps the highest praise we can lavish on Fuqua’s solid, enjoyable, easily watchable remake, is that beyond the addition of Gyllenhaal,…

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Review of Azor (2021)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 17 Sep 2021

To the less patient viewer, the lack of clarity on the finer points of high finance and characters’ backgrounds and not getting period-orienting…

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Review of My Name Is Pauli Murray (2021)

By Sarah-Tai Black (68) for Los Angeles Times (12,977) on 17 Sep 2021

The research is there, certainly, but it is presented as if it were just that, without thought for the ways it could be presented in a more…

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Review of The Eyes of Tammy Faye (2021)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 17 Sep 2021

Unfortunately, [Showalter] is often stymied by a pedestrian script by Abe Sylvia ( TV series “Dead to Me” and “Nurse Jackie”) that…

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Review of The Starling (2021)

By Gary Goldstein (1,089) for Los Angeles Times (12,977) on 17 Sep 2021

It may seem churlish to knock a film that works so hard to present everyday, well-meaning folks facing unspeakable, real-life pain…

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Review of The Nowhere Inn (2021)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 17 Sep 2021

Layered storytelling that tests the limits of the screen and the fourth wall allows for Clark and Brownstein to play at playing themselves,…

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Review of Faya Dayi (2021)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 17 Sep 2021

In eschewing directness of intent for the artful massaging of space, sound and rhythm, Beshir’s film — a very personal project for the…

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Review of Prisoners of the Ghostland (2021)

By Noel Murray (1,901) for Los Angeles Times (12,977) on 16 Sep 2021

Prisoners of the Ghostland is less a movie than an environment — not always hospitable but distinctly bizarre…

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Review of Cry Macho (2021)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 15 Sep 2021

The simplicity of the story Eastwood is telling would seem to suit his unvarnished, unfussy style, though frankly, a bit more fuss — a few…

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Review of Copshop (2021)

By Michael Ordona (350) for Los Angeles Times (12,977) on 14 Sep 2021

Copshop is an enjoyable, slow-burn action movie featuring a smart script, sharp direction, strong cast — and the emergence of a possible star…

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Review of The Year of the Everlasting Storm (2021)

By Roxana Hashidi (1) for Los Angeles Times (12,977) on 11 Sep 2021

By cycling through humor, joy, sentimentality and surrealism, The Year of the Everlasting Storm reminds viewers of the myriad possibilities…

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Review of Everybody's Talking About Jamie (2021)

By Kimber Myers (423) for Los Angeles Times (12,977) on 11 Sep 2021

Everybody’s Talking About Jamie is big-hearted, with as much desire to put something good in the world as its hero wants to express himself…

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Review of Everybody's Talking About Jamie (2021)

By Kimber Myers (423) for Los Angeles Times (12,977) on 11 Sep 2021

Everybody’s Talking About Jamie is big-hearted, with as much desire to put something good in the world as its hero wants to express himself…

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Review of Malignant (2021)

By Michael Ordona (350) for Los Angeles Times (12,977) on 10 Sep 2021

If you can hang with the slow gestation of the first hour or so of Malignant, the final third may grow on you…

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Review of Language Lessons (2021)

By Carlos Aguilar (278) for Los Angeles Times (12,977) on 10 Sep 2021

Feel-good yet not cloying, Language Lessons wraps its comforting graciousness around you and says, “No estás solo / You are not alone.”…

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Review of The Capote Tapes (2021)

By Gary Goldstein (1,089) for Los Angeles Times (12,977) on 10 Sep 2021

This well-constructed film effectively highlights the key points of the Southern-born icon’s singular, often troubled life and proves a vivid,…

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Review of Queenpins (2021)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 09 Sep 2021

Queenpins does nothing other than waste your time with bad wigs and poop jokes, and that is the biggest crime of all…

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Review of Come from Away (2021)

By Charles Mcnulty (4) for Los Angeles Times (12,977) on 09 Sep 2021

It turns out that the screen provides a surprisingly hospitable frame for a musical that is quite purely and unabashedly — at times even…

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Review of Fauci (2021)

By Robert Abele (1,309) for Los Angeles Times (12,977) on 09 Sep 2021

Where the filmmakers’ approach sets itself apart in these days of image-massaged biographies is in juxtaposing the bookending health catastrophes…

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