Review of Azor (2021) by Robert Abele for Los Angeles Times — 17 Sep 2021

To the less patient viewer, the lack of clarity on the finer points of high finance and characters’ backgrounds and not getting period-orienting news updates about the political situation, might seem confounding.

But Azor works without them, because those details would only disrupt the artfully portentous chill Fontana gets from the pitch-perfect performances and design, and Gabriel Sandru’s cinematography.