Movie Reviews Published by Indiewire - Page 89 of 182

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Review of Blue Iguana (2018)

By David Ehrlich (1,229) for IndieWire (3,631) on 20 Aug 2018

Despite a starring turn from Sam Rockwell (whose character arc boils down to mastering a Cockney accent) and a supporting performance that…

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Review of Mile 22 (2018)

By David Ehrlich (1,229) for IndieWire (3,631) on 15 Aug 2018

Without a bloody foundation of truth to ground their swagger in reality or give it some kind of moral purpose, these two certified alpha males…

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Review of Too Late to Die Young (2019)

By Eric Kohn (1,203) for indieWire (3,631) on 14 Aug 2018

It’s an impressive illustration of a director in command of the medium, but more than that, points to the potential in whatever she does next…

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Review of A Land Imagined (2019)

By David Ehrlich (1,229) for indieWire (3,631) on 14 Aug 2018

A Land Imagined is a film that’s intent on losing its own sense of self, a goal that Yeo fulfills by never allowing it to have one in the…

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Review of A Family Tour (2018)

By David Ehrlich (1,229) for indieWire (3,631) on 14 Aug 2018

A Family Tour is the work of someone whose need to reflect on his trauma is urgent enough to risk whatever hope he still has left…

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Review of To All the Boys I've Loved Before (2018)

By Kate Erbland (681) for IndieWire (3,631) on 14 Aug 2018

Every beat of the film might be obvious, but that doesn’t detract from the enjoyability of watching an indelible young heroine like Lara…

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Review of Gilbert (2017)

By David Ehrlich (1,229) for indieWire (3,631) on 13 Aug 2018

The last thing the world needs right now is another portrait about the fraternity of comedians and their hardscrabble existence as America's…

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Review of Slender Man (2018)

By David Ehrlich (1,229) for IndieWire (3,631) on 08 Aug 2018

A tasteless and incredibly undercooked serving of the internet’s stalest Creepypasta, Slender Man aspires to be for the YouTube era what…

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Review of The Spy Gone North (2018)

By David Ehrlich (1,229) for IndieWire (3,631) on 08 Aug 2018

Entertaining and exasperating in equal measure, it’s a nine-dimensional chess game in which the pawns think they’re working towards a better…

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Review of The Meg (2018)

By Eric Kohn (1,203) for indieWire (3,631) on 07 Aug 2018

Statham remains an appealing summer movie fixture, but sharks deserve better than this…

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Review of Crazy Rich Asians (2018)

By Kate Erbland (681) for indieWire (3,631) on 07 Aug 2018

Fans of Kwan’s books will not be disappointed by Chu’s adaptation, as “Crazy Rich Asians” lovingly brings to life some of the novel’s…

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Review of Anna and the Apocalypse (2018)

By Amy Nicholson (961) for IndieWire (3,631) on 04 Aug 2018

Like its star, Anna and the Apocalypse merrily charges through danger…

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Review of Christopher Robin (2018)

By David Ehrlich (1,229) for IndieWire (3,631) on 01 Aug 2018

Even when Christopher Robin stumbles or steers itself into a corner, it never stops trying to understand what people lose when they let go…

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Review of Night Comes On (2018)

By Kate Erbland (681) for IndieWire (3,631) on 01 Aug 2018

It’s a tough story, but told through a decidedly female gaze, Night Comes On blossoms into something beautiful…

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Review of Like Father (2018)

By David Ehrlich (1,229) for IndieWire (3,631) on 01 Aug 2018

However afraid she is to let things get too serious, Miller Rogen is powerless to erase the emotional undertow that carries this story forward…

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Review of Never Goin' Back (2018)

By Eric Kohn (1,203) for IndieWire (3,631) on 31 Jul 2018

Less moment-to-moment funny than committed to a sustained pitch of devilish glee, Never Goin’ Back couches its silliness in a credible milieu…

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Review of The Darkest Minds (2018)

By Kate Erbland (681) for IndieWire (3,631) on 30 Jul 2018

The film zips through its final act at breakneck speed, doling out answers and riling up new conflicts with little care for how they impact…

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Review of Death of a Nation (2018)

By David Ehrlich (1,229) for IndieWire (3,631) on 29 Jul 2018

The meandering and insufferable Death of a Nation is little more than a greatest-hits collection of its creator’s favorite neocon conspiracy…

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Review of Billionaire Boys Club (2018)

By Eric Kohn (1,203) for indieWire (3,631) on 26 Jul 2018

It’s intermittently engaging as a B-movie, but so often strives for something more that it never finds a satisfying tone…

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Review of Alt-Right: Age of Rage (2018)

By David Ehrlich (1,229) for IndieWire (3,631) on 25 Jul 2018

Age of Rage is much more potent when questioning its own purpose than it is when giving fancy racists yet another platform to espouse their bullshit…

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