Movie Reviews Published by Indiewire - Page 88 of 182

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Review of Free Solo (2018)

By David Ehrlich (1,229) for indieWire (3,631) on 31 Aug 2018

There’s no denying that the domestic scenes of Free Solo are more powerful because you appreciate the madness of what Honnold is trying to…

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Review of Kin (2018)

By Jude Dry (205) for IndieWire (3,631) on 31 Aug 2018

There are plenty of plot devices to keep the audience on its toes, and Reynor is the epitome of a 21st century lovable antihero, so fashionable…

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Review of The Ballad of Buster Scruggs (2018)

By Eric Kohn (1,203) for indieWire (3,631) on 30 Aug 2018

Buster Scruggs” is a singular illustration of what makes the Coen formula so appealing, and a reminder of so many better examples…

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Review of The Old Man & the Gun (2018)

By Eric Kohn (1,203) for indieWire (3,631) on 30 Aug 2018

The Old Man & the Gun eschews pastiche for a sweet, affable character study that resurrects Redford’s original star power with a wet kiss…

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Review of They'll Love Me When I'm Dead (2018)

By Eric Kohn (1,203) for IndieWire (3,631) on 30 Aug 2018

So much of Welles’ history has been relegated to scholarly texts that it’s a thrill to see this final chapter laid out with such clarity…

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Review of A Star Is Born (2018)

By Michael Nordine (446) for indieWire (3,631) on 30 Aug 2018

Credit to Cooper for delivering his best, most soulful performance while pulling double duty behind the camera, but it’s his co-star whose…

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Review of The Other Side of the Wind (2018)

By Eric Kohn (1,203) for IndieWire (3,631) on 30 Aug 2018

Fans of the director’s late-period work (particularly his last completed effort, the rapid-fire diary film “F for Fake”) will find it…

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Review of The Mountain (2017)

By Eric Kohn (1,203) for indieWire (3,631) on 29 Aug 2018

This somber and lyrical achievement is the warmest and most inviting work from a director who traffics in an acquired taste…

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Review of The Favourite (2018)

By Michael Nordine (446) for indieWire (3,631) on 29 Aug 2018

Lanthimos wants us to examine the different reasons we grasp at power — avarice, self-preservation, even fear — and better understand its…

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Review of The Little Stranger (2018)

By Eric Kohn (1,203) for indieWire (3,631) on 29 Aug 2018

Abrahamson seems so coy about the haunting of the Ayres’ house that he refuses to allow the movie’s strongest aspect to take center stage,…

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Review of Destination Wedding (2018)

By Kate Erbland (681) for indieWire (3,631) on 29 Aug 2018

Destination Wedding makes the case that the two-hander isn’t dead, even if it struggles a bit when forced to come to a neat, movie-ready conclusion…

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Review of The Mountain (2019)

By Eric Kohn (1,203) for indieWire (3,631) on 29 Aug 2018

This somber and lyrical achievement is the warmest and most inviting work from a director who traffics in an acquired taste…

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Review of Roma (2018)

By Eric Kohn (1,203) for indieWire (3,631) on 29 Aug 2018

Roma is by far the most experimental storytelling in a career filled with audacious (and frequently excessive) gimmicks…

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Review of Bisbee '17 (2018)

By David Ehrlich (1,229) for IndieWire (3,631) on 28 Aug 2018

The result is a singularly American riff on “The Act of Killing,” a fascinating and dream-like mosaic that’s less driven by residual…

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Review of First Man (2018)

By Michael Nordine (446) for indieWire (3,631) on 28 Aug 2018

First Man is an anti-thriller of rare intensity, with lived-in performances from Ryan Gosling and Claire Foy heightening the sky-high drama…

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Review of The Island (2018)

By David Ehrlich (1,229) for indieWire (3,631) on 23 Aug 2018

Unsupported by any sort of greater mythology, few of these asides are worth the time Bo spends on them…

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Review of What Keeps You Alive (2018)

By Jamie Righetti (14) for IndieWire (3,631) on 22 Aug 2018

Despite a few predictable beats, What Keeps You Alive offers plenty of effective jolts, helped along by the chemistry between leads Anderson…

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Review of The Happytime Murders (2018)

By David Ehrlich (1,229) for IndieWire (3,631) on 21 Aug 2018

If The Happytime Murders isn’t the worst movie of the summer, I tremble at the thought of whatever’s coming out next week…

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Review of John McEnroe: In the Realm of Perfection (2018)

By David Ehrlich (1,229) for IndieWire (3,631) on 21 Aug 2018

Faraut is able to conflate the cinema’s quixotic obsession with reality with the athlete’s similarly impossible dream of perfection…

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Review of Operation Finale (2018)

By David Ehrlich (1,229) for IndieWire (3,631) on 21 Aug 2018

Weitz and Orton mean to question the individual’s role in a mass atrocity, but the abstract nature of their ideas never squares with the…

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