Movie Reviews Published by Indiewire - Page 25 of 182

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Review of Texas Chainsaw Massacre (2022)

By Jude Dry (205) for IndieWire (3,631) on 18 Feb 2022

It delivers plenty of blood spattered, gut-spilling gore to satisfy genre lover’s bloodlust, even if we’ve pretty much seen everything…

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Review of The Desperate Hour (2022)

By Kristen Lopez (178) for IndieWire (3,631) on 17 Feb 2022

[A] maudlin, truly terrible thriller that relies far too heavily on manipulation and narrative revision to deliver a “message” that we…

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Review of This Much I Know to Be True (2022)

By Ben Croll (93) for IndieWire (3,631) on 17 Feb 2022

This Much I Know to Be True mostly offers the simple pleasures of good songwriting, performed by charismatic singers, captured elegantly onscreen…

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Review of Alcarràs (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 17 Feb 2022

It’s a buzzing and vibrant ensemble drama whose unruly cast pulls our focus in a dozen different directions at once, but also one that always…

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Review of Peter von Kant (2022)

By Ben Croll (93) for IndieWire (3,631) on 16 Feb 2022

The breath of life and beating heart at the center of countless, Russian nesting doll layers of artifice and art-house reference, actor Denis…

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Review of Taurus (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 16 Feb 2022

The warts-and-all honesty that Baker brings to the table doesn’t prevent Sutton from repackaging his story as a simple cautionary tale about…

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Review of Uncharted (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 15 Feb 2022

Perhaps the film’s Walmart approach to its action would’ve been more forgivable if the Uncharted games weren’t so frequently suffused…

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Review of Dark Glasses (2022)

By Ben Croll (93) for IndieWire (3,631) on 15 Feb 2022

Like a steady hand holding a straight razor, Argento cuts through the story with clean swipes…

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Review of Both Sides of the Blade (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 15 Feb 2022

As is often the case with Denis’ films, Fire grows more illuminating as it gets hotter; what starts like a constrained and unusually jagged…

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Review of The Outfit (2022)

By Siddhant Adlakha (174) for IndieWire (3,631) on 15 Feb 2022

Try as it might, its story of a good man caught in a bad situation is bogged down by empty reveals, and by a plot that tries to fool you without…

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Review of Flux Gourmet (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 14 Feb 2022

As usual, Strickland has made a sumptuous meal out of social impropriety — a strange cinematic delicacy about the discomforts that need to…

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Review of Incredible But True (2022)

By Ben Croll (93) for IndieWire (3,631) on 14 Feb 2022

Like nearly all of Dupieux’s previous work, Incredible but True stretches a high-concept, low-execution premise about as far as it can go,…

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Review of Playground (2022)

By Susannah Gruder (11) for IndieWire (3,631) on 11 Feb 2022

While Wandel does well to leave some things to the imagination, like what happens beyond the schoolyard, she not-so-subtly nails the point…

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Review of The In Between (2022)

By Kate Erbland (681) for IndieWire (3,631) on 11 Feb 2022

Caught in between a love story and a ghost story, the film accidentally disproves the very epigraph that opens it — “Every love story is…

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Review of Bigbug (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 11 Feb 2022

Save for dashes of Jeunet’s bespoke visual flair and an enthusiastic cast of actors whose go-for-broke performances scream for stronger material,…

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Review of Playground (2022)

By Susannah Gruder (11) for IndieWire (3,631) on 11 Feb 2022

While Wandel does well to leave some things to the imagination, like what happens beyond the schoolyard, she not-so-subtly nails the point…

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Review of Marry Me (2022)

By Kate Erbland (681) for IndieWire (3,631) on 10 Feb 2022

But while that stew sounds familiar, Marry Me takes almost too long to get really cracking, with both romance and laughs in short supply, until…

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Review of The Sky Is Everywhere (2022)

By Kate Erbland (681) for IndieWire (3,631) on 10 Feb 2022

In the hands of director Josephine Decker, a filmmaker uniquely suited to depicting personal expression on the big screen, the film version…

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Review of Gehraiyaan (2022)

By Siddhant Adlakha (174) for IndieWire (3,631) on 10 Feb 2022

Gehraiyaan seldom earns its melodramatic turns…

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Review of I Want You Back (2022)

By Kate Erbland (681) for IndieWire (3,631) on 10 Feb 2022

There’s a deeper, more serious film at the heart of I Want You Back, but a bent toward offering up off-kilter comedic set pieces instead…

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