Movie Reviews Published by Indiewire - Page 24 of 182

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Review of Bodies Bodies Bodies (2022)

By Robert Daniels (336) for IndieWire (3,631) on 17 Mar 2022

Populated by a feverish humor and governed by fatalistic doom, Reijin’s Bodies Bodies Bodies moves with a slapdash pace that belies its sturdy…

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Review of Master of Light (2022)

By Robert Daniels (336) for IndieWire (3,631) on 17 Mar 2022

Master of Light is a gentle and graceful film defined by the capriciousness of sight…

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Review of Deadstream (2022)

By Rafael Motamayor (108) for IndieWire (3,631) on 16 Mar 2022

Deadstream feels like ’80s Sam Raimi traveled forward in time, became obsessed with streaming culture, and turned Ash Williams into the dumbest…

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Review of Deep Water (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 16 Mar 2022

While the filmmaker’s craft has never been shakier than it is in this stilted and wildly uneven tale about the twisted strings that tie some…

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Review of Gone in the Night (2022)

By Kate Erbland (681) for IndieWire (3,631) on 16 Mar 2022

As “The Cow” sinks deeper into increasingly limp twists, turns, and choices, Ryder keeps hold of Kath, offering the film’s most genuine…

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Review of To Leslie (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 16 Mar 2022

To Leslie doesn’t always make things easy, but it’s deeply touching to watch the film’s characters learn how to share their mutual good fortune…

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Review of Linoleum (2023)

By Robert Daniels (336) for IndieWire (3,631) on 15 Mar 2022

Linoleum is difficult to pin down; the obfuscations and slippages that run through it seem just as likely to frustrate viewers as they might…

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Review of I Love My Dad (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 15 Mar 2022

It may not resonate as anything deeper than a modern satire of the idea that father knows best, but it leans into its high-wire act with the…

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Review of Apollo 10½: A Space Age Childhood (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 13 Mar 2022

This semi-autobiographical sketch isn’t really a story at all so much as a sweetly effervescent string of Kodachrome memories from the filmmaker’s…

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Review of The Unbearable Weight of Massive Talent (2022)

By Jude Dry (205) for IndieWire (3,631) on 13 Mar 2022

Though movie references and Cage quotes abound, there’s something for everyone in The Unbearable Weight of Massive Talent…

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Review of The Lost City (2022)

By Robert Daniels (336) for IndieWire (3,631) on 12 Mar 2022

The Lost City might not be as majestic or breathtaking as its loftier influences, but it is the swooning stuff that great romance novels are made of…

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Review of Everything Everywhere All at Once (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 11 Mar 2022

Here is an orgiastic work of slaphappy genius that doesn’t operate like a narrative film so much as a particle accelerator — or maybe a…

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Review of The Adam Project (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 09 Mar 2022

It’s a fitting third act for an overly safe film that only feigns at its ambition, and it leaves “The Adam Project” seeming less like…

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Review of Asking For It (2022)

By Susannah Gruder (11) for IndieWire (3,631) on 07 Mar 2022

Asking for It puts men and women in their own fringe camps, erasing the real and complex struggle for women to achieve equal rights, have their…

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Review of Turning Red (2022)

By Kate Erbland (681) for IndieWire (3,631) on 07 Mar 2022

The lessons are of the usual sort — how to be true to yourself, how to honor your family and friends, the value of culture in all its forms,…

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Review of Against the Ice (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 02 Mar 2022

Forget “The Terror,” here comes “The Tedium.”…

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Review of The Batman (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 28 Feb 2022

By far the most nuanced relationship here is that between Batman and Riddler…

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Review of Big Gold Brick (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 25 Feb 2022

Brian Petsos’ interminable Big Gold Brick may be a film absent even the faintest trace of purpose or momentum — its endless parade of energy-less…

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Review of Three Months (2022)

By Kate Erbland (681) for IndieWire (3,631) on 24 Feb 2022

There need to be more films like this, if only so the LGBTQ kids seeking them out will realize how normal their own experiences are…

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Review of Three Months (2022)

By Kate Erbland (681) for IndieWire (3,631) on 24 Feb 2022

There need to be more films like this, if only so the LGBTQ kids seeking them out will realize how normal their own experiences are…

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