Movie Reviews Published by Indiewire - Page 17 of 182

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Review of Women Talking (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 03 Sep 2022

Hard as it might be to imagine, Women Talking is an upbeat and propulsive film cut with a sharp wit and a ready sense of humor, even if its…

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Review of Athena (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 02 Sep 2022

Athena effectively taps into the class, racial, and religious angers of modern France, which it sees as a powder keg that’s just waiting…

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Review of Bones and All (2022)

By Leila Latif (37) for IndieWire (3,631) on 02 Sep 2022

Bones & All is fundamentally a beautifully realized and devastating, tragic romance which at multiple moments would have Chekhov himself weeping…

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Review of BARDO, False Chronicle of a Handful of Truths (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 01 Sep 2022

With “Bardo,” Iñárritu delivers a cartoonishly indulgent film about the fact that he makes cartoonishly indulgent films — a rootless…

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Review of TÁR (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 01 Sep 2022

TÁR is a provocation full of slow-motion suckerpunches and the driest of laughs (even its accented title is a knowingly pretentious in-joke)…

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Review of Dos estaciones (2022)

By Carlos Aguilar (278) for IndieWire (3,631) on 01 Sep 2022

González’s fiction is so indelibly tied to the reality of the place and its inebriating spirit that certain segments of the film (particularly…

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Review of White Noise (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 31 Aug 2022

Baumbach is ultimately too in sync with DeLillo for “White Noise” to escape from the shadow of its monolithic source material, as movie…

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Review of White Noise (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 31 Aug 2022

Baumbach is ultimately too in sync with DeLillo for “White Noise” to escape from the shadow of its monolithic source material, as movie…

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Review of The Invitation (2022)

By Jude Dry (205) for IndieWire (3,631) on 28 Aug 2022

The pace picks up when the slashing finally begins in the third act, but it’s too little, too late to get the blood going…

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Review of Adopting Audrey (2022)

By Christian Zilko (32) for IndieWire (3,631) on 26 Aug 2022

M…

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Review of Samaritan (2022)

By Kate Erbland (681) for IndieWire (3,631) on 25 Aug 2022

In a movie world crowded with everyone eager to make their own special superhero stand out, this one doesn’t pack much of a punch…

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Review of Funny Pages (2022)

By Vikram Murthi (112) for IndieWire (3,631) on 24 Aug 2022

Ideas might be recycled in “Funny Pages,” but they’re converted into something distinct…

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Review of Orphan: First Kill (2022)

By Ryan Lattanzio (73) for IndieWire (3,631) on 19 Aug 2022

Coggeshall’s script isn’t especially sharp, as the movie really does hinge around that big twist, but the visual approach and performances…

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Review of Dragon Ball Super: Super Hero (2022)

By Emma Stefansky (22) for IndieWire (3,631) on 19 Aug 2022

Chock-full of popcorn nostalgia and fan favorite characters and villains and power moves exactly like what any fan of the long-running saga…

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Review of Stay on Board: The Leo Baker Story (2022)

By Jude Dry (205) for IndieWire (3,631) on 13 Aug 2022

Taking an empathetic and respectful approach, the film follows Baker as he weighs the professional benefits to delaying transition against…

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Review of Secret Headquarters (2022)

By Jude Dry (205) for IndieWire (3,631) on 12 Aug 2022

With a PG-rated humor that parents can enjoy too, Secret Headquarters feels like the movie equivalent of the fun uncle who speaks to you like…

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Review of Free Chol Soo Lee (2022)

By Kate Erbland (681) for IndieWire (3,631) on 12 Aug 2022

If the film gives us hope for anything, it’s that such a miscarriage of justice can never happen again — and if it does, many will be there…

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Review of Laal Singh Chaddha (2022)

By Proma Khosla (6) for IndieWire (3,631) on 09 Aug 2022

A faithful adaptation that still finds the space to lean into specific cultural influences, deep history, and lovely visuals…

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Review of Human Flowers of Flesh (2023)

By Sophie Monks Kaufman (221) for IndieWire (3,631) on 08 Aug 2022

Human Flowers of Flesh becomes stranger and more liminal until one is literally lost at sea…

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Review of Memory Box (2021)

By Jude Dry (205) for IndieWire (3,631) on 07 Aug 2022

Blurring the lines between past and present, Memory Box floats in and out of two parallel stories, never quite allowing either one to take…

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