Movie Reviews Published by Indiewire - Page 16 of 182

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Review of The Inspection (2022)

By Kate Erbland (681) for IndieWire (3,631) on 09 Sep 2022

This is a human story, as messy and complex and maddening as any ever told, and while Bratton makes it his own (how could he not…

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Review of Weird: The Al Yankovic Story (2022)

By Vikram Murthi (112) for IndieWire (3,631) on 09 Sep 2022

Appel and Yankovic exaggerate, and then completely diverge from, the truth until their imitation of the real story is all that remains…

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Review of Blonde (2022)

By Sophie Monks Kaufman (221) for IndieWire (3,631) on 08 Sep 2022

It’s not that Andrew Dominik has made an implausible film about the experience of a poor young beauty haunted by fears of madness who was…

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Review of Return to Seoul (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 08 Sep 2022

It’s the rare movie that can drop a long-take dance sequence into the middle of a pressing conversation without seeming the least bit mannered…

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Review of Clerks III (2022)

By Christian Zilko (32) for IndieWire (3,631) on 08 Sep 2022

His new sequel contains as much blatant fan service as you might expect, and some of it is probably even worse than what you’re imagining,…

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Review of Pinocchio (2022)

By Christian Zilko (32) for IndieWire (3,631) on 08 Sep 2022

While the original story remains undeniably excellent, “Pinocchio” fails at re-telling it because it ignores its own advice…

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Review of Dead for a Dollar (2022)

By Sophie Monks Kaufman (221) for IndieWire (3,631) on 08 Sep 2022

Despite a hectic list of characters and their grievances, the plot is not tightly constructed and scans, for stretches, like a hang-out movie…

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Review of Pinocchio (2024)

By Christian Zilko (32) for IndieWire (3,631) on 08 Sep 2022

While the original story remains undeniably excellent, “Pinocchio” fails at re-telling it because it ignores its own advice…

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Review of Barbarian (2022)

By Jude Dry (205) for IndieWire (3,631) on 07 Sep 2022

With a chillingly relatable Airbnb setup, Barbarian mines multiple real-life scenarios and fears to unleash some truly unhinged terrors…

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Review of See How They Run (2022)

By Jude Dry (205) for IndieWire (3,631) on 07 Sep 2022

See How They Run packs a lot of characters into a thin story that leaves little room for the considerable talent to stand out…

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Review of The Eternal Daughter (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 06 Sep 2022

Where Hogg’s last two movies saw the filmmaker tracing a version of herself from memory, this one sees her tracing a memory from a version…

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Review of Don't Worry Darling (2022)

By Kate Erbland (681) for IndieWire (3,631) on 05 Sep 2022

Wilde and Silberman seem to bank on the raw power of the film’s third-act reveal to make up for the conspicuously predictable plotting of…

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Review of The Banshees of Inisherin (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 05 Sep 2022

This isn’t a film that strives for big laughs — McDonagh seems more interested in putting you in a particular frame of mind, even when…

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Review of A Couple (2022)

By Sophie Monks Kaufman (221) for IndieWire (3,631) on 04 Sep 2022

Wiseman has made a vocation out of filming what is right in front of him, and he applies that schematic to a dead woman whose words are all…

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Review of Empire of Light (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 04 Sep 2022

It’s wonderful that Mendes spent the pandemic making a movie about the irreplaceable vitality of movie theaters — even going so far as…

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Review of Aftersun (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 04 Sep 2022

A stunning debut that develops with the gradual poignancy of a Polaroid, Charlotte Wells’ Aftersun isn’t just an honest movie about the…

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Review of The Whale (2022)

By Leila Latif (37) for IndieWire (3,631) on 04 Sep 2022

For Fraser, The Whale is a confident leap forward into the movie-star status that he rightfully deserves…

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Review of Argentina 1985 (2022)

By Sophie Monks Kaufman (221) for IndieWire (3,631) on 04 Sep 2022

This may be an offbeat and textured snapshot of history, but it still holds at its core cold anger on behalf of the dictatorship’s victims…

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Review of Lady Chatterley's Lover (2022)

By Kate Erbland (681) for IndieWire (3,631) on 04 Sep 2022

Despite the stars’ strong performances and the high level of craft, the film struggles in its final act…

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Review of Aftersun (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 04 Sep 2022

A stunning debut that develops with the gradual poignancy of a Polaroid, Charlotte Wells’ Aftersun isn’t just an honest movie about the…

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