Movie Reviews Published by Film Comment Magazine - Page 10 of 43

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Review of Scarred Hearts (2017)

By Jonathan Romney (434) for Film Comment Magazine (842) on 21 Nov 2017

Despite its bleak theme, the film brims with anarchic life…

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Review of The Florida Project (2017)

By Cassie Da Costa (26) for Film Comment Magazine (842) on 10 Nov 2017

The audience is invited to believe that their lives are devoid of thoughts and motivations beyond hustle and pleasure, and so the movie ends…

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Review of The Florida Project (2017)

By Cassie De Costa (1) for Film Comment Magazine (842) on 10 Nov 2017

The audience is invited to believe that their lives are devoid of thoughts and motivations beyond hustle and pleasure, and so the movie ends…

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Review of Roman J. Israel, Esq. (2017)

By Michael Sragow (1,413) for Film Comment Magazine (842) on 10 Nov 2017

[Denzel] Washington tops himself as the title character…

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Review of Lady Bird (2017)

By Sheila O'malley (474) for Film Comment Magazine (842) on 03 Nov 2017

[Gerwig's] first solo flight as a director and writer is beautifully confident in its rhythm and mood, the script whip-sawing from humor to…

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Review of Thor: Ragnarok (2017)

By Michael Sragow (1,413) for Film Comment Magazine (842) on 03 Nov 2017

Chris Hemsworth releases a comic daredevil spirit comparable to that other dashing Australian swashbuckler, Errol Flynn…

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Review of The Shape of Water (2017)

By Steven Mears (12) for Film Comment Magazine (842) on 03 Nov 2017

Like the director's best works, The Shape of Water blends lonely outcasts, chimerical beings, meticulous design, and mid-20th-century political…

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Review of I, Tonya (2017)

By Violet Lucca (89) for Film Comment Magazine (842) on 03 Nov 2017

Comedic but pointed in outlook, I, Tonya portrays a woman who had endured constant abuse and dropped out of high school to pursue the only…

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Review of I Love You, Daddy (2017)

By Aliza Ma (2) for Film Comment Magazine (842) on 03 Nov 2017

The undisguised perversity in the title of Louis C.K.'s new film bespeaks its general tenor of depravity and self-awareness…

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Review of The Killing of a Sacred Deer (2017)

By Michael Sragow (1,413) for Film Comment Magazine (842) on 03 Nov 2017

This film devolves into single-minded scare tactics and reduces its actors to mannequins or torture toys. It drains all personality away…

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Review of Thelma (2017)

By Margaret Barton-Fumo (2) for Film Comment Magazine (842) on 03 Nov 2017

Surprisingly tender, Thelma proves itself a modern take on the supernatural film, with a short burst of synth music at the end to remind us…

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Review of Three Billboards Outside Ebbing, Missouri (2017)

By Nick Pinkerton (448) for Film Comment Magazine (842) on 03 Nov 2017

while McDonagh's film doesn't lack for gallows humor and pitch-dark stuff, it's in the department of truth that it comes up short…

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Review of Last Flag Flying (2017)

By Michael Koresky (14) for Film Comment Magazine (842) on 03 Nov 2017

The film follows a familiar template, but the wounds it traces are undeniable…

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Review of Breathe (2017)

By Michael Sragow (1,413) for Film Comment Magazine (842) on 16 Oct 2017

Andrew Garfield gives his most spirited, expansive performance to date…

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Review of Breathe (2017)

By Michael Sragow (1,413) for Film Comment Magazine (842) on 16 Oct 2017

Andrew Garfield gives his most spirited, expansive performance to date…

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Review of Lucky (2017)

By Michael Sragow (1,413) for Film Comment Magazine (842) on 24 Sep 2017

Mere days after his death, we can't help but feel how sweet it is that Stanton ends his big-screen career with this jazzy benediction…

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Review of Sextette (1978)

By Gilbert Adair (20) for Film Comment Magazine (842) on 11 Sep 2017

Sextette is, of course, a bad film, shakily acted, carelessly written (from a play by Mae West) and directed without an iota of style by Ken…

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Review of The Limehouse Golem (2016)

By Michael Sragow (1,413) for Film Comment Magazine (842) on 10 Sep 2017

The moviemakers have more on their minds than mounting a Ripper-like Sherlockian detective case with an unusual blend of grit and lushness…

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Review of Wonderstruck (2017)

By Michael Koresky (14) for Film Comment Magazine (842) on 06 Sep 2017

A thoroughly self-aware object, full of unexpected marvels one might not consider for eternal display, Todd Haynes's Wonderstruck, is a thoroughly…

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Review of Ex Libris: The New York Public Library (2017)

By Nicolas Rapold (488) for Film Comment Magazine (842) on 06 Sep 2017

At the same time, thanks to Wiseman's editorial selections, Ex Libris becomes a breathtaking work of erudition, attaining Godardian or Straubian…

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