Movie Reviews Published by Entertainment Weekly - Page 58 of 348

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Review of Wind River (2017)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 02 Aug 2017

For all its well-worn outlines, the narrative exerts its own fierce, clenched-jaw grip: a cautionary campfire tale that reminds us it’s not…

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Review of The Dark Tower (2017)

By Darren Franich (64) for Entertainment Weekly (6,953) on 02 Aug 2017

Bad dialogue, lame plot, fine. The bigger issue: How could a film with Elba and McConaughey have so little swagger…

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Review of Ellie Parker (2005)

By Scott Brown (113) for Entertainment Weekly (6,953) on 29 Jul 2017

Coffey, a tart comic mind who should cast his net farther from the 405, pads his story with more and more familiar degradations, and Watts…

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Review of Peaceful Warrior (2006)

By Scott Brown (113) for Entertainment Weekly (6,953) on 29 Jul 2017

In the ranks of improbable gymnastics coaches, Nick Nolte falls just below the cartoon version of Mr. T…

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Review of Minority Report (2002)

By Lisa Schwarzbaum (1,672) for Entertainment Weekly (6,953) on 28 Jul 2017

The mechanical beauty and android possibilities of the future excite the filmmaker, and that's where Minority Report becomes an alluring postcard…

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Review of Gone with the Wind (1939)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 28 Jul 2017

To see Gone With the Wind on a big screen again is to weep for the fearlessness with which Hollywood once believed the sublime was possible…

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Review of The Emoji Movie (2017)

By Darren Franich (64) for Entertainment Weekly (6,953) on 27 Jul 2017

There's a justifiable self-loathing running through The Emoji Movie, a fragile attempt to (sigh) deconstruct the meaning of Emojis while also…

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Review of The Incredible Jessica James (2017)

By Devan Coggan (80) for Entertainment Weekly (6,953) on 27 Jul 2017

Strouse wrote the film for Williams, and even though this is her leading lady debut, it's almost impossible to imagine any other actress or…

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Review of An Inconvenient Sequel: Truth to Power (2017)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 27 Jul 2017

Gore is a little grayer and a little thicker around the midsection, but he's still tirelessly speaking truth to power on behalf of our ailing…

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Review of Brigsby Bear (2017)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 26 Jul 2017

The result is a slight, handcrafted indie that’s sweet, skewed, and feels a bit like a skit stretched out to feature length…

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Review of Menashe (2017)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 26 Jul 2017

The film (shot mostly in Yiddish) has an unpolished intimacy, peeling back the surface exoticism of a cloistered faith to reveal the poignantly…

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Review of Atomic Blonde (2017)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 26 Jul 2017

The pounding ’80s soundtrack (New Order, Depeche Mode, Ministry) couldn’t be cooler, the ultraviolence is relentlessly brutal, and Theron’s…

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Review of Paparazzi (2004)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 26 Jul 2017

It doesn't take long for the film to devolve into a ludicrously far-fetched Celebrity Death Wish…

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Review of Detroit (2017)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 23 Jul 2017

A sincere effort to illuminate a singularly dark chapter in history — and a stark reminder of exactly what gets lost when human beings fail…

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Review of The 6th Day (2000)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 21 Jul 2017

A bit of a clone itself, but it's got a crackerjack helicopter chase, a semblance of a script, and a sotto voce performance by Robert Duvall…

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Review of Miami Vice (2006)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 20 Jul 2017

As entertaining as some of it is, is so cool that it's almost too cool. It takes the sin, and much of the juice, out of vice…

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Review of Landline (2017)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 20 Jul 2017

In sweetly calibrated moments — a downtown drug deal gone wrong; Falco alone under strobe lights, swaying ecstatically to Donna Summer —…

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Review of Landline (2017)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 19 Jul 2017

In sweetly calibrated moments — a downtown drug deal gone wrong; Falco alone under strobe lights, swaying ecstatically to Donna Summer —…

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Review of Dunkirk (2017)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 16 Jul 2017

This is visceral, big-budget filmmaking that can be called Art. It’s also, hands down, the best motion picture of the year so far…

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Review of Open Water (2004)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 15 Jul 2017

In spirit, Open Water reduces us to children peering through our fingers, waiting for the horrid deliverance we're not quite sure we want to see…

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