Movie Reviews Published by Entertainment Weekly - Page 51 of 348

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Review of Dogville (2003)

By Lisa Schwarzbaum (1,672) for Entertainment Weekly (6,953) on 11 Nov 2017

This galvanizing cinematic work is also gorgeous, experimental, alive with a Scandinavian strain of chutzpah, and artistically elegant…

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Review of Thunderheart (1992)

By Susan Chumsky (1) for Entertainment Weekly (6,953) on 09 Nov 2017

The movie boasts a number of shoot-outs and a car chase leading to the final showdown, but it’s more than just an updated cowboys-and-Indians…

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Review of Three Billboards Outside Ebbing, Missouri (2017)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 09 Nov 2017

A tar-black comedy so caustic it nearly burns a hole in the screen, Three Billboards Outside Ebbing, Missouri banks a lot on the gale force…

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Review of Daddy's Home 2 (2017)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 09 Nov 2017

Of course, there’s a sort of comfort in familiarity, especially around the traditions of the holidays…

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Review of Thelma (2017)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 09 Nov 2017

Thelma doesn’t play with pig’s blood and jump scares; its dreamlike dread is subtler and stranger, and much harder to shake…

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Review of Serenity (2005)

By Scott Brown (113) for Entertainment Weekly (6,953) on 07 Nov 2017

Jaw set but never stiff, he (Fillion) gets both the Whedon wit and the Whedon grandiloquence between cheek and gum, and gives the whole enterprise…

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Review of Murder on the Orient Express (2017)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 07 Nov 2017

Branagh executes his double duties with a gratifyingly light touch, tweaking the story’s more mothballed elements without burying it all…

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Review of Stolen (2010)

By Lisa Schwarzbaum (1,672) for Entertainment Weekly (6,953) on 05 Nov 2017

It's a toss-up as to what's the worse sin in this graceless piece of tragedy porn…

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Review of Permanent Midnight (1998)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 05 Nov 2017

Permanent Midnight never shows us who Jerry Stahl was before he began shooting junk, and so we have no real stake in what the drugs did to…

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Review of Runaway Bride (1999)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 03 Nov 2017

The difference between Pretty Woman and Runaway Bride is that we can no longer buy Roberts in her tearful romantic-melancholy mode…

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Review of My Friend Dahmer (2017)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 03 Nov 2017

More than a week after watching writer-director Marc Meyers' My Friend Dahmer, I'm still trying to figure out who exactly the film is meant…

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Review of Lady Bird (2017)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 03 Nov 2017

Gerwig doesn’t trap her protagonist in the oblivious underage bubble that most coming-of-age dramedies inhabit; Lady Bird’s parents, played…

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Review of Last Flag Flying (2017)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 03 Nov 2017

Last Flag Flying is a modest, bittersweet thing of beauty…

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Review of LBJ (2017)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 03 Nov 2017

The best thing the director has going for him is his star, Woody Harrelson…

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Review of Paranormal Activity (2007)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 02 Nov 2017

With its this-is-really-happening vibe, Paranormal Activity scrapes away 30 years of encrusted nightmare clichés…

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Review of The Killing of a Sacred Deer (2017)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 02 Nov 2017

Farrell delivers his lines with the same replicant monotone he used in The Lobster…

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Review of A Bad Moms Christmas (2017)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 01 Nov 2017

What follows is another slapstick dose of hard-R ridiculosity with a soft-nougat center, but it also passes the Bechdel test maybe better than…

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Review of P.S. I Love You (2007)

By Lisa Schwarzbaum (1,672) for Entertainment Weekly (6,953) on 30 Oct 2017

FYI, there's zero chemistry between P.S. I Love You's two commodified headliners…

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Review of Jigsaw (2017)

By Darren Franich (64) for Entertainment Weekly (6,953) on 27 Oct 2017

It feels too long, and it’s only 90 minutes…

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Review of Novitiate (2017)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 26 Oct 2017

First-time director Maggie Betts has said she based her story in part on extended research into the aftershocks of Vatican II’s new liberties…

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