Movie Reviews Published by Entertainment Weekly - Page 36 of 348

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Review of Daddy Longlegs (2010)

By Lisa Schwarzbaum (1,672) for Entertainment Weekly (6,953) on 07 Oct 2018

A disconcertingly jumpy tale of breathtakingly crummy parenting, the windblown movie dares a tolerant audience not to call Child Services…

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Review of The Great Buster: A Celebration (2018)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 03 Oct 2018

In The Great Buster, Bogdanovich has provided a brilliantly enthralling primer…

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Review of Private Life (2018)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 02 Oct 2018

It’s about perseverance, compassion, and empathy…

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Review of Loving Pablo (2017)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 01 Oct 2018

Escobar’s story hardly lacks for plot points, and director Fernando León de Aronaoa (Mondays in the Sun) hits them all obligingly, if broadly…

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Review of Venom (2018)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 01 Oct 2018

Venom isn’t quite bad, but it’s not exactly good either. It’s noncommittally mediocre and, as a result, forgettable…

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Review of Studio 54 (2018)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 01 Oct 2018

One of the great surprises of Matt Tyrnauer’s giddy glitterbomb of a documentary about New York’s infamously Caligulan Me Decade hot spot…

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Review of Monsters & Men (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 28 Sep 2018

Reinaldo Marcus Green’s quiet drama still carries its own kind of big stick, even if the story’s impact is ultimately muffled by his meditative,…

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Review of Black '47 (2018)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 27 Sep 2018

Despite its Irish setting, Black ’47 feels more than anything like an American Western, what with its shades-of-grey morality and almost…

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Review of Smallfoot (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 27 Sep 2018

Smallfoot has its own silly, beastie charm…

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Review of All About Nina (2018)

By Dana Schwartz (34) for Entertainment Weekly (6,953) on 27 Sep 2018

All About Nina works best as a showcase for Winstead, even if she’s performing material we’ve already heard before…

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Review of Monsters and Men (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 27 Sep 2018

Reinaldo Marcus Green’s quiet drama still carries its own kind of big stick, even if the story’s impact is ultimately muffled by his meditative,…

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Review of Assassination Nation (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 26 Sep 2018

There’s a kinetic energy in Levinson’s telling, and real catharsis in a riotous final sequence that feels all the more triumphant for the…

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Review of Free Solo (2018)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 26 Sep 2018

In the end, the answer may be only slightly deeper than “because it’s there”, but for 100 nerve-racking minutes, Free Solo brings us…

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Review of The Devil and Daniel Johnston (2006)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 26 Sep 2018

A fascinating and lovingly crafted musical documentary that nevertheless misunderstands its own subject…

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Review of Love, Gilda (2018)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 19 Sep 2018

Love, Gilda is penetrating, painful, and personal…

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Review of Life Itself (2018)

By Dana Schwartz (34) for Entertainment Weekly (6,953) on 19 Sep 2018

Excellent performers are wasted, especially the criminally underutilized Mandy Patinkin and Annette Bening, both of whom appear in just bit…

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Review of The House with a Clock in Its Walls (2018)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 17 Sep 2018

Black, no surprise, steals the show, manically hamming it up like Harry Houdini on laughing gas, while Roth tries to keep the breakneck pace…

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Review of Lizzie (2018)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 12 Sep 2018

By the time the climactic act of violence finally arrives, there’s barely enough patience left in the viewer to feel any real sense of catharsis…

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Review of The Land of Steady Habits (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 12 Sep 2018

As the tone wobbles between absurdity and tragedy, it also starts to shift toward something deeper and more bittersweet than mere midlife ennui…

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Review of White Boy Rick (2018)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 12 Sep 2018

What sets it a notch or two above rote familiarity is its cast, featuring a charismatic, white trash-with-a-heart-of-gold turn from a mulletted…

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