Movie Reviews Published by Entertainment Weekly - Page 345 of 348

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Review of Woodstock (1970)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 21 Apr 1987

Describing Woodstock as a concert movie is a little like calling Notre Dame a house of worship…

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Review of Reflections in a Golden Eye (1967)

By Lawrence O'toole (21) for Entertainment Weekly (6,953) on 13 Mar 1987

John Huston’s adaptation of Carson McCullers’ gothic novella of sexual repression, set in a Southern Army post, gave Taylor one of her…

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Review of The Sure Thing (1985)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 27 Dec 1986

Rob Reiner’s Spinal Tap follow-up is surprisingly deep for a flick that rests on the same shelf as Hardbodies and My Tutor…

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Review of The Human Factor (1979)

By Tim Purtell (11) for Entertainment Weekly (6,953) on 01 Nov 1986

The Human Factor, a spy saga and Preminger’s final film, is an overlooked gem…

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Review of Henry: Portrait of a Serial Killer (1986)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 23 Sep 1986

Henry: Portrait of a Serial Killer is undeniably disturbing, especially that video scene and when it shows us (however discreetly) a body being…

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Review of The Brain That Wouldn't Die (1962)

By Steve Simels (96) for Entertainment Weekly (6,953) on 28 Jun 1986

The Brain That Wouldn’t Die has an equally familiar basic plot (mad scientist tampering in God’s domain), but it’s grimmer (a fair amount…

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Review of Star 80 (1983)

By Lisa Schwarzbaum (1,672) for Entertainment Weekly (6,953) on 23 Mar 1986

Best of all, a revisit with Jedi makes a viewer appreciate spectacle, presentation, mythology -- that, and the power of a bitchin' helmet to…

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Review of Lolita (1962)

By Lawrence O'toole (21) for Entertainment Weekly (6,953) on 25 Jan 1986

Stanley Kubrick’s adaptation of Vladimir Nabokov’s wicked, witty hymn to forbidden love loses some bite in the journey from novel to the…

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Review of Deliverance (1972)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 31 Aug 1985

With his Mephisto-phelean swagger and chewy, good ol’ boy drawl, Reynolds is a chest-beating revelation…

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Review of Battleship Potemkin (1925)

By Lawrence O'toole (21) for Entertainment Weekly (6,953) on 02 Aug 1985

It’s required viewing in virtually every Film 101 class…

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Review of Written on the Wind (1956)

By Tim Purtell (11) for Entertainment Weekly (6,953) on 14 Apr 1985

Boiling over with heated acting and schmaltzy scores, Douglas Sirk’s ’50s melodramas tap neatly into our collective trash psyche…

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Review of The Boys in the Band (1970)

By Ari Karpel (3) for Entertainment Weekly (6,953) on 18 Mar 1985

This heavy-handed relic of a self-loathing time proves surprisingly relevant — not to mention funny, disturbing, and deeply moving…

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Review of That's Entertainment, Part II (1976)

By Roy Hemming (2) for Entertainment Weekly (6,953) on 05 Nov 1984

The original song-and-dance formula is diluted, however, by a dozen or more comedy scenes (with the Marx Brothers, W.C…

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Review of The In-Laws (1979)

By Lisa Schwarzbaum (1,672) for Entertainment Weekly (6,953) on 28 Oct 1984

While much of The In-Laws feels stuck in time, what really does it in is the script's boring, modern sensitivity to fatherhood, and bonding…

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Review of The Gunfighter (1950)

By Ken Tucker (102) for Entertainment Weekly (6,953) on 31 May 1984

A ruthlessly heartbreaking tale of a famous gunslinger (Gregory Peck in a black mustache and a little black hat) grown weary of facing down…

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Review of Spellbound (1945)

By Lisa Schwarzbaum (1,672) for Entertainment Weekly (6,953) on 23 Dec 1983

Thrilling little epic set in the bewildering arena of the English language…

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Review of Pink Flamingos (1976)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 19 Nov 1983

In Pink Flamingos, Waters did something subversive and, in its gross way, quite spectacular: He created his own hell-bent, sick-joke Oz, with…

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Review of National Velvet (1945)

By Lawrence O'toole (21) for Entertainment Weekly (6,953) on 08 Nov 1983

No other child actor — nor adult one — has ever captured the pure, unconditional love between human and animal as Elizabeth Taylor does…

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Review of Pocket Money (1972)

By Lawrence O'toole (21) for Entertainment Weekly (6,953) on 09 Oct 1982

It’s just Paul and Lee hanging out, playing off each other beautifully, every exchange of dialogue a gloveless, effortless toss ‘n’ catch,…

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Review of Defiance (1980)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 01 Jul 1982

Zwick offers excitingly staged moments, but once you get past the novelty of WWII Jews acting this heroically macho, Defiance bogs down in…

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