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Review of Shoplifters (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 15 Nov 2018

Kore-eda is working up to something else, steering the story he’s built so carefully toward an utterly unexpected detour…

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Review of The Clovehitch Killer (2018)

By Dana Schwartz (34) for Entertainment Weekly (6,953) on 15 Nov 2018

Unlike so many recent horror movies, The Clovehitch Killer is patient with its thrills, almost excruciatingly so…

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Review of Ralph Breaks the Internet (2018)

By Dana Schwartz (34) for Entertainment Weekly (6,953) on 14 Nov 2018

Ambitious, beautifully animated, and clever to a fault, Ralph Breaks the Internet breaks free of the pitfalls of most sequels by never forgoing…

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Review of The Ballad of Buster Scruggs (2018)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 14 Nov 2018

Two of the chapters stand with some of the best work the merry-prankster filmmakers have ever done, while the rest are varying degrees of… fine…

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Review of Instant Family (2018)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 14 Nov 2018

At its heart (and it’s a big corny heart, for sure), the film’s message is one of unconditional love and embracing family wherever you…

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Review of At Eternity's Gate (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 13 Nov 2018

If Eternity is hardly a completist portrait — or even a narratively satisfying one, really — it’s still gratifying to watch in other…

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Review of Fantastic Beasts: The Crimes of Grindelwald (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 12 Nov 2018

There might not be a more gorgeous-looking movie this year than Fantastic Beasts: The Crimes of Grindelwald…

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Review of Overlord (2018)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 09 Nov 2018

A surprisingly well-made mash-up of old-fashion war movie tropes and proudly disgusting horror-flick shocks. It’s a ton of fun…

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Review of The Girl in the Spider's Web (2018)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 07 Nov 2018

Now a miscast Claire Foy adopts the hacker vigilante’s black leather and badass avenging-angel attitude for The Girl in the Spider’s Web…

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Review of Here and Now (2018)

By Dana Schwartz (34) for Entertainment Weekly (6,953) on 07 Nov 2018

But for most of the film, Parker’s Vivienne is bland and forgettable…

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Review of Here and Now (2018)

By Dana Schwartz (34) for Entertainment Weekly (6,953) on 07 Nov 2018

But for most of the film, Parker’s Vivienne is bland and forgettable…

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Review of Freddy's Dead: The Final Nightmare (1991)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 07 Nov 2018

The joke is on the filmmakers: By taking the finality out of death, they've already robbed the horror genre of its giddy sting…

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Review of The Visitor (2008)

By Lisa Schwarzbaum (1,672) for Entertainment Weekly (6,953) on 02 Nov 2018

This audaciously issues-loaded indie drama works, improbably and entirely, on account of the marvelous, often familiar-looking, rarely starring…

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Review of Bohemian Rhapsody (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 01 Nov 2018

Maybe unavoidably, the movie that’s emerged from all that has the distinct whiff of compromise and art by committee — the opposite, in…

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Review of The Nutcracker and the Four Realms (2018)

By Darren Franich (64) for Entertainment Weekly (6,953) on 31 Oct 2018

The rare quiet moments in Nutcracker suggest Foy might be a real movie star. Let’s give her a real movie and find out…

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Review of Boy Erased (2018)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 31 Oct 2018

Boy Erased is the kind of topical, well-intentioned movie that makes you wish it was slightly better than it is…

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Review of They'll Love Me When I'm Dead (2018)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 31 Oct 2018

More narratively straightforward (but also masterfully edited in F for Fake style), the documentary takes its title from a Welles quote about…

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Review of The Other Side of the Wind (2018)

By Chris Nashawaty (734) for Entertainment Weekly (6,953) on 31 Oct 2018

The Other Side of the Wind (both the movie and the movie-within-a-movie) is a hypnotic, magical mess of a film…

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Review of A Private War (2018)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 30 Oct 2018

By the time the narrative comes to Colvin’s greatest get — she was essentially the first Western journalist to get inside Homs and refute…

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Review of Bring It On: All or Nothing (2006)

By Melissa Rose Bernardo (1) for Entertainment Weekly (6,953) on 24 Oct 2018

Bring It On: All or Nothing gets snaps for its nightmarish homecoming scene, a nod to, of all movies, Carrie…

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