Movie Reviews Published by Entertainment Weekly - Page 301 of 348

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Review of Saw (2003)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 26 Oct 2004

Saw is a gristle-cut B psycho thriller that would like to tap the sickest corners of your imagination…

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Review of Enduring Love (2004)

By Lisa Schwarzbaum (1,672) for Entertainment Weekly (6,953) on 26 Oct 2004

What blows us away is the power of Ifans' moist puppy eyes and chilling smile as a true believer undeterred by reality…

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Review of Saw (2004)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 26 Oct 2004

Saw is a gristle-cut B psycho thriller that would like to tap the sickest corners of your imagination…

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Review of Ray (2003)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 26 Oct 2004

Ray is the rare Hollywood biopic that does justice to the heroism, as well as the demons, of an American genius…

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Review of Birth (2004)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 26 Oct 2004

All I could think was, What in God's name do the filmmakers think they're doing…

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Review of Birth (1984)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 26 Oct 2004

When Kidman slithers into a bathtub with her young ''husband,'' the scene, in its soft-pedaled way, is the definition of exploitation: It appears…

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Review of Rai (1995)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 26 Oct 2004

Ray is the rare Hollywood biopic that does justice to the heroism, as well as the demons, of an American genius…

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Review of Mean Machine (2001)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 26 Oct 2004

After too many ''Full Monty''s, it has come to look like nothing so much as a coy ritual of emasculation…

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Review of Total Eclipse (1995)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 23 Oct 2004

Total Eclipse is pretty unbearable: The movie is dour and patchy and stilted — it leaves you sitting glumly waiting for the next baroque…

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Review of Pinocchio (1940)

By Steve Daly (13) for Entertainment Weekly (6,953) on 20 Oct 2004

Among all of Disney’s endangered-tot stories, including Cinderella and 101 Dalmatians, only Pinocchio plucks the heartstrings with such incomparable…

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Review of Sideways (2009)

By Lisa Schwarzbaum (1,672) for Entertainment Weekly (6,953) on 19 Oct 2004

It's an intoxicating feeling when a movie excites and enlivens us like this -- and there's a particular giddiness to be had in thinking about…

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Review of The People Under the Stairs (1991)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 15 Oct 2004

If there were truth in advertising, The People Under the Stairs would be called The Not Very Scary Movie Set Inside a Grungy, Badly Lit House…

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Review of Final Cut (1993)

By Gregory Kirschling (107) for Entertainment Weekly (6,953) on 12 Oct 2004

If there are decent, human, post-Good Will Hunting roles for the actor somewhere between the manic and the catatonic, Williams hasn't found them…

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Review of Eulogy (2004)

By Lisa Schwarzbaum (1,672) for Entertainment Weekly (6,953) on 12 Oct 2004

The cast itself is weirdly overqualified…

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Review of The Final Cut (2004)

By Gregory Kirschling (107) for Entertainment Weekly (6,953) on 12 Oct 2004

If there are decent, human, post-Good Will Hunting roles for the actor somewhere between the manic and the catatonic, Williams hasn't found them…

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Review of Shall We Dance? (2004)

By Lisa Schwarzbaum (1,672) for Entertainment Weekly (6,953) on 12 Oct 2004

The movie never gives its heart freely and honestly to the satiny whirl of post-Chicago showbiz spectacle it so clearly wants to be…

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Review of Final Cut (1989)

By Gregory Kirschling (107) for Entertainment Weekly (6,953) on 12 Oct 2004

If there are decent, human, post-Good Will Hunting roles for the actor somewhere between the manic and the catatonic, Williams hasn't found them…

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Review of Shall We Dance? (1996)

By Lisa Schwarzbaum (1,672) for Entertainment Weekly (6,953) on 12 Oct 2004

A movie that can't decide whether to frown or twirl…

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Review of Final Cut (1998)

By Gregory Kirschling (107) for Entertainment Weekly (6,953) on 12 Oct 2004

If there are decent, human, post-Good Will Hunting roles for the actor somewhere between the manic and the catatonic, Williams hasn't found them…

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Review of Moolaadé (2004)

By Lisa Schwarzbaum (1,672) for Entertainment Weekly (6,953) on 12 Oct 2004

The result: This great work of art has the potential to change the world…

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