Movie Reviews Published by Entertainment Weekly - Page 27 of 348

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Review of Ready or Not (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 20 Aug 2019

So come for the crossbows, etc., and to watch Weaving’s star be born in real time; stay for the socio-economic lessons and sweet, sweet revenge…

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Review of Good Boys (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 19 Aug 2019

In the end, it’s their fundamental goodness — not all the wicked, winky “bad” — that’s easily the best thing about Boys…

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Review of Where'd You Go, Bernadette (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 14 Aug 2019

Linklater, who brought such subtle, generous feeling to films like Boyhood and the Sunset trilogy, feels somehow miscast as the steward of…

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Review of Blinded by the Light (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 12 Aug 2019

Love, faith, Springsteen; that and a Sony Walkman are all it takes to surrender to the pure, ingenuous joy of Blinded by the Light, a Technicolor…

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Review of After the Wedding (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 08 Aug 2019

If the script’s epiphanies don’t feel quite as shocking or profound the second time around, it’s still pleasing to watch these beautiful,…

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Review of Scary Stories to Tell in the Dark (2019)

By Clark Collis (94) for Entertainment Weekly (6,953) on 08 Aug 2019

Blessed with some firm hands on the terror tiller and a winning cast, Scary Stories to Tell in the Dark is a handsome, and deliciously horrible,…

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Review of The Kitchen (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 07 Aug 2019

There’s so much talent in The Kitchen, and so much of it wasted; that’s kind of all you can think about for most of writer-director Andrea…

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Review of One Child Nation (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 07 Aug 2019

If One Child sometimes seems to raise more questions than it can answer, and more pain than it has room to explore, the movie offers an urgent…

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Review of Luce (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 05 Aug 2019

No one gets off easy here, and no one quite gets answers, either; maybe that’s the point…

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Review of The Art of Racing in the Rain (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 05 Aug 2019

Rain is not a bad movie, really, and it doesn’t sell itself as anything other than earnest, floppy-eared family entertainment…

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Review of Fast & Furious Presents: Hobbs & Shaw (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 31 Jul 2019

Director David Leitch (Atomic Blonde, Deadpool 2) seems to know how to set up his outrageous set pieces, then get out of the way often enough…

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Review of Once Upon a Time... in Hollywood (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 23 Jul 2019

It’s shaggy and self-indulgent and almost scandalously long; and in nearly every moment, pretty glorious…

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Review of The Art of Self-Defense (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 12 Jul 2019

In the final third, as the plot accelerates and moves toward more purely outrageous acts, Casey’s awakening should feel like freedom from…

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Review of The Lion King (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 11 Jul 2019

The story and the songs, with a few notable if hardly unexpected updates, are fondly faithful to the original; the magic mostly intact…

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Review of The Farewell (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 11 Jul 2019

Wang’s story outline shares the familiar contours of other immigrant tales: the Babel tower of half-spoken languages; the ties that bind…

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Review of Stuber (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 11 Jul 2019

To be clear, Stuber is a very silly movie: Half the action scenes look like they were shot inside a Cuisinart, the sexual politics are questionable,…

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Review of Spider-Man: Far From Home (2019)

By Darren Franich (64) for Entertainment Weekly (6,953) on 27 Jun 2019

Far From Home succeeds with an unusual, troubling virtue: The best parts are the most fake…

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Review of Yesterday (2019)

By Darren Franich (64) for Entertainment Weekly (6,953) on 26 Jun 2019

Fairy tales edge toward strangeness, and the sanded edges of Yesterday ultimately feel more like a flashy commercial — one of those recent…

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Review of Yesterday (2019)

By Darren Franich (64) for Entertainment Weekly (6,953) on 26 Jun 2019

Fairy tales edge toward strangeness, and the sanded edges of Yesterday ultimately feel more like a flashy commercial — one of those recent…

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Review of Annabelle Comes Home (2019)

By Darren Franich (64) for Entertainment Weekly (6,953) on 24 Jun 2019

Annabelle Comes Home is only a little scary, and too religiously dedicated to its own ongoing cash-printing megafranchise for big laughs…

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