Movie Reviews Published by Entertainment Weekly - Page 25 of 348

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Review of Terminator: Dark Fate (2019)

By Darren Franich (64) for Entertainment Weekly (6,953) on 22 Oct 2019

At least Dark Fate is frequently bad in a funny way, without the dutiful dullness of the last couple sequels…

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Review of Cave Rescue (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 18 Oct 2019

It delivers something more and better, too: a moving, beautifully humanistic story whose inevitable hardships are laced with real hope and levity…

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Review of The Cave (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 18 Oct 2019

It delivers something more and better, too: a moving, beautifully humanistic story whose inevitable hardships are laced with real hope and levity…

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Review of Tell Me Who I Am (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 18 Oct 2019

But the truth, when it does come out, is devastating — to the point that it can feel invasive to watch such a profoundly private moment unfold…

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Review of The cave (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 18 Oct 2019

It delivers something more and better, too: a moving, beautifully humanistic story whose inevitable hardships are laced with real hope and levity…

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Review of The Lighthouse (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 17 Oct 2019

The mannered aye-matey dialogue often gives Lighthouse the performative feeling of a play, but Eggers (The Witch) is also a masterful stylist;…

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Review of The Lighthouse (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 17 Oct 2019

The mannered aye-matey dialogue often gives Lighthouse the performative feeling of a play, but Eggers (The Witch) is also a masterful stylist;…

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Review of Zombieland: Double Tap (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 16 Oct 2019

For all the flying intestines and skulls that split open like past-due melons, Double Tap has another squishy organ at its center: a big, goofball…

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Review of Maleficent: Mistress of Evil (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 15 Oct 2019

For kids maybe this is still magical; grownups, though, will waste many long, busily bedazzled minutes wondering why the powers that were able…

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Review of El Camino: A Breaking Bad Movie (2019)

By Darren Franich (64) for Entertainment Weekly (6,953) on 11 Oct 2019

What’s lacking in this entertaining pulp quest, I think, is some essential surprise…

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Review of The King (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 11 Oct 2019

What’s left is primarily a series of grand battleground set pieces — filmed crunchily, and well — and a series of consistently strong…

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Review of Parasite (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 09 Oct 2019

A serrating, brilliantly stylized portrait of class and fate and family in modern-day Korea…

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Review of Little Monsters (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 09 Oct 2019

It’s Nyong’o who makes Monsters worth spending 90 breezy, bloody minutes on; wielding her tiny guitar like she did a fateful pair of scissors…

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Review of Gemini Man (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 08 Oct 2019

Somehow though, the film registers as a strange, airless whiff — stale, inert, and oddly melancholy…

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Review of Dolemite Is My Name (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 03 Oct 2019

Murphy...brings so much hope and hunger and pure life force to the role that he makes you believe in every punchline, pelvic thrust, and egregiously…

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Review of The Laundromat (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 02 Oct 2019

If a motley crew of movie stars is what it takes to shine more light on government malfeasance, then let Meryl carry that torch in a wig and…

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Review of Lucy in the Sky (2019)

By Christian Holub (57) for Entertainment Weekly (6,953) on 02 Oct 2019

Lucy in the Sky’s attempt to sync cosmological visions with a believable human drama never quite works…

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Review of The Irishman (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 28 Sep 2019

It all becomes a sort of muddle for a while midway, one that’s not nearly as compelling as the acting itself, which is largely phenomenal,…

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Review of Pain and Glory (2019)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 27 Sep 2019

In the scheme of Almodóvar’s rich catalogue, Pain is probably too small, too sad, and too obtuse to really recommend as any kind of starting…

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Review of Abominable (2019)

By Christian Holub (57) for Entertainment Weekly (6,953) on 25 Sep 2019

Abominable’s themes and arc are familiar kids’ movie fare, with only one real plot twist…

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