Movie Reviews Published by Entertainment Weekly - Page 200 of 348

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Review of The Hand That Rocks the Cradle (1992)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 06 Sep 2011

There’s no denying the movie gets a rise out of us, but it does so by mining the fears within our hokiest prejudices…

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Review of Living in Oblivion (1995)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 06 Sep 2011

A hip indie version of Truffaut's Day for Night, Living in Oblivion celebrates the very act of filmmaking as grand folly, a triumph of absurdist…

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Review of Batman Begins (2005)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 06 Sep 2011

It's not just the birth of Batman we're seeing in this triumphant interpretation, it's also the dawning of Gotham City's age of greed…

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Review of White Men Can't Jump (1992)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 06 Sep 2011

Perhaps the first sports movie ever made in which the characters talked as good a game as they played…

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Review of Christopher Columbus: The Discovery (1992)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 06 Sep 2011

Christopher Columbus: The Discovery lacks even the misplaced energy of a camp folly. It's limp and exhausted -- a bloodless swashbuckler…

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Review of What's Love Got to Do with It (1993)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 06 Sep 2011

A splashy, volatile, crowd- pleasing rock-star melodrama that makes up in sheer emotional wallop what it sometimes lacks in finesse…

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Review of The Next Karate Kid (1994)

By Lisa Schwarzbaum (1,672) for Entertainment Weekly (6,953) on 06 Sep 2011

Not that girls will go see this or boys will care…

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Review of Fresh (2009)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 06 Sep 2011

You may not believe a minute of it, though you won't forget Nelson's face…

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Review of Graffiti Bridge (1990)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 06 Sep 2011

Graffiti Bridge is a sad fiasco — and except for Shake…

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Review of The Best Intentions (1992)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 06 Sep 2011

The Best Intentions is the most moving film I’ve seen this year…

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Review of Eye of God (1997)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 06 Sep 2011

Anderson creates what may be the most vividly scary and authentic portrait of a sociopathic ex-con since Dustin Hoffman in Straight Time…

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Review of GoodFellas (1990)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 06 Sep 2011

In GoodFellas, director Martin Scorsese does something simple and audacious: He takes the guilt out of organized crime…

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Review of Buffalo '66 (1998)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 06 Sep 2011

Vincent Gallo, gaunt and pop-eyed, with a gaze of sexy, hostile paranoia, has the look of a born sociopath or a born movie star (or both)…

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Review of The Hot Spot (1990)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 06 Sep 2011

The film might have been a camp hoot if it weren't for the fact that Hopper still believes in all this stuff - he likes his women molten, duplicitous,…

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Review of Bless the Child (2000)

By Lisa Schwarzbaum (1,672) for Entertainment Weekly (6,953) on 06 Sep 2011

Director Chuck Russell also made the infinitely better comedy The Mask. After this, he may want to wear a mask…

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Review of Man Trouble (1992)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 06 Sep 2011

The movie is a limp comedy of disempowerment, set in a cartoon world where testosterone rules…

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Review of A Rage in Harlem (1991)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 06 Sep 2011

There's just enough atmosphere, comedy, and raw acting talent in Bill Duke's amiable gangster-caper movie, A Rage In Harlem, to make you wish…

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Review of Thelma & Louise (1991)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 06 Sep 2011

Right from its gratuitously gorgeous opening shot-a beckoning panorama of red-rock mesas Thelma & Louis lets you know that it's going to be…

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Review of The Cable Guy (1996)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 06 Sep 2011

The director, Ben Stiller, works with craftsmanly precision, but too much control can dampen madness…

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Review of Mister Johnson (1991)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 06 Sep 2011

Beresford, adapting Joyce Cary's 1939 novel, looks at the psychological relationships inherent in colonialism with some subtlety…

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