Movie Reviews Published by Entertainment Weekly - Page 166 of 348

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Review of Fairhaven (2013)

By Lisa Schwarzbaum (1,672) for Entertainment Weekly (6,953) on 16 Jan 2013

Personal tenderness combines with a good sense of composition and a naturalistic storytelling style to give a small, familiar premise a nice lilt…

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Review of King of the Hill (1993)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 13 Jan 2013

This story of a 12-year-old boy who drops through the net of middle-class life invites us-in each shimmering frame-to gaze upon the world with…

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Review of Sherrybaby (2006)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 12 Jan 2013

Maggie Gyllenhaal is such a miracle of an actress that she makes you respond to the innocence of Sherry's desperate, selfish destruction…

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Review of Flipped (2010)

By Adam Markovitz (84) for Entertainment Weekly (6,953) on 12 Jan 2013

Worse, he (Reiner) vacuum-seals it all in a patronizingly wholesome package, like an extended episode of The Wonder Years with all the wonder…

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Review of The Karate Kid (2010)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 11 Jan 2013

Fun, and believable, on the most important level: It convinces us that Jaden Smith has what it takes to fight his way to the top…

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Review of A Haunted House (1975)

By Clark Collis (94) for Entertainment Weekly (6,953) on 11 Jan 2013

If the result features around 1,783 too many fart gags, to be fair, it also boasts a couple of genuine minor scares…

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Review of A Haunted House (2013)

By Clark Collis (94) for Entertainment Weekly (6,953) on 11 Jan 2013

If the result features around 1,783 too many fart gags, to be fair, it also boasts a couple of genuine minor scares…

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Review of Quartet (2012)

By Lisa Schwarzbaum (1,672) for Entertainment Weekly (6,953) on 09 Jan 2013

Dustin Hoffman, a 75-year-old first-time feature director better known as a great old acting pro, conducts at a pleasant tempo…

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Review of Quartet (1981)

By Lisa Schwarzbaum (1,672) for Entertainment Weekly (6,953) on 09 Jan 2013

Dustin Hoffman, a 75-year-old first-time feature director better known as a great old acting pro, conducts at a pleasant tempo…

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Review of Gangster Squad (2013)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 09 Jan 2013

Brolin and Gosling are both supposed to be playing World War II veterans who bring their knowledge of battle into the tough turf of the streets,…

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Review of West of Memphis (2012)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 09 Jan 2013

The film casts a hypnotic spell all its own…

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Review of Ruby Sparks (2012)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 08 Jan 2013

Ruby Sparks is a romantic comedy that takes off from a premise so fanciful it needs every bit of the freshness that Dano brings it…

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Review of The Good Son (1993)

By Glenn Kenny (1,728) for Entertainment Weekly (6,953) on 05 Jan 2013

(Culkin's) attempt to broaden his range with the not-for-kids thriller The Good Son — in a part that calls for complex emotions rather than…

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Review of Texas Chainsaw 3D (2013)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 04 Jan 2013

A sign of how desperate the series' producers have become is that the big twist here is that Leatherface, the slobby butcher-boy demon in his…

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Review of The Proposal (2009)

By Lisa Schwarzbaum (1,672) for Entertainment Weekly (6,953) on 03 Jan 2013

The chemical energy between Bullock and Reynolds is fresh and irresistible…

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Review of Promised Land (2012)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 02 Jan 2013

Urgent, heartfelt, and not-quite-as-predictable-as-you-think environmental rabble-rouser…

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Review of Not Fade Away (2012)

By Lisa Schwarzbaum (1,672) for Entertainment Weekly (6,953) on 02 Jan 2013

Not Fade Away is Chase's reward to himself - a transparently autobiographical work, his first feature-length film, and one that he's said he…

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Review of Amour (2012)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 02 Jan 2013

In Amour, these two actors show us what love is, what it really looks like, and what it may, at its most secret moments, demand…

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Review of On the Road (2012)

By Owen Gleiberman (3,271) for Entertainment Weekly (6,953) on 02 Jan 2013

What Salles doesn't conjure is the rapture of Kerouac's bohemian romanticism. Without it, On the Road is a remote experience, all reason and no rhyme…

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Review of The Cool School (2008)

By Lisa Schwarzbaum (1,672) for Entertainment Weekly (6,953) on 30 Dec 2012

The rare footage of '50s and '60s L.A. alone is a treasure; the City of Angels has rarely looked so hip…

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