Movie Reviews Published by Entertainment Weekly - Page 15 of 348

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Review of Falling (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 04 Feb 2021

Barring any greater lessons on motivation or forgiveness, the movie becomes little more than an endurance test; one far easier — at least…

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Review of Together Together (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 04 Feb 2021

A wry low-key dramedy that lands with surprising sweetness…

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Review of Misha and the Wolves (2021)

By Mary Sollosi (29) for Entertainment Weekly (6,953) on 02 Feb 2021

The insights of the doc don't reverberate far beyond the story it's telling. But oh, what a story…

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Review of Coda (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 01 Feb 2021

Jones — who trained intensively in voice work and American Sign Language for the role — has the gift of coming off like a genuine teenager,…

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Review of On the Count of Three (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 01 Feb 2021

The movie settles into the blackest kind of buddy comedy — a lacerating slice of nihilism rooted in real despair, and real I-love-you-man…

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Review of Judas and the Black Messiah (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 01 Feb 2021

Black Messiah's center of gravity has to be a Hampton you can't look away from, and Kaluuya — alternately raw, tender, and incendiary —…

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Review of CODA (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 01 Feb 2021

Jones — who trained intensively in voice work and American Sign Language for the role — has the gift of coming off like a genuine teenager,…

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Review of Passing (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 01 Feb 2021

It feels like an actor's film: a delicate, melancholy study in black and white, nearly every scene filled with careful silences and subtext…

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Review of Passing (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 01 Feb 2021

It feels like an actor's film: a delicate, melancholy study in black and white, nearly every scene filled with careful silences and subtext…

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Review of Summer of Soul (...Or, When the Revolution Could Not Be Televised) (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 30 Jan 2021

The interviews are their own historical document, though it's the visceral thrill of being inside all those archival clips — the flick of…

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Review of The Dig (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 28 Jan 2021

In the larger sense of whatever a movie like this promises to be — that you will laugh (in a properly low-key English way) and cry (but not…

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Review of Supernova (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 28 Jan 2021

It's the combined incandescence of the stars at the center of the screen, not the ones meant to be gazed at through telescopes, that carries…

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Review of Supernova (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 28 Jan 2021

It's the combined incandescence of the stars at the center of the screen, not the ones meant to be gazed at through telescopes, that carries…

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Review of The Little Things (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 26 Jan 2021

In the absence of a clean ending, then, what's left is the familiar intrigue of smart men squinting dolefully at distant horizons and bloodied…

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Review of Malcolm & Marie (2021)

By Mary Sollosi (29) for Entertainment Weekly (6,953) on 22 Jan 2021

The whole movie comes across as deeply self-conscious, more concerned with how it sounds than what it's saying, consumed with impressing people…

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Review of Locked Down (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 13 Jan 2021

If Hathaway and Ejiofor are sometimes saddled with talky theatrical monologues that sound far more like a screenwriter's fever dream than the…

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Review of Locked Down (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 13 Jan 2021

If Hathaway and Ejiofor are sometimes saddled with talky theatrical monologues that sound far more like a screenwriter's fever dream than the…

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Review of LOCKED DOWN (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 13 Jan 2021

If Hathaway and Ejiofor are sometimes saddled with talky theatrical monologues that sound far more like a screenwriter's fever dream than the…

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Review of The White Tiger (2021)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 08 Jan 2021

Gourav is frankly devastating, his face a cracked mask of pain and disbelief. In others he's ruthless, calculating, even cruel…

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Review of Pieces of a Woman (2020)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 08 Jan 2021

Though an overwrought final hour dissipates the power of the first and its soft-focus end notes feel unearned, the film still leaves a bruising…

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