Movie Reviews Published by Empire - Page 22 of 173

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Review of Misha and the Wolves (2021)

By Hanna Flint (37) for Empire (3,446) on 03 Sep 2021

Despite a few narrative gaps that needed filling, Sam Hobkinson delivers a rollercoaster-ride of a documentary with superb characters, insightful…

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Review of Dune (2021)

By Ben Travis (84) for Empire (3,446) on 03 Sep 2021

An absorbing, awe-inspiringly huge adaptation of (half of) Frank Herbert’s novel that will wow existing acolytes, and get newcomers hooked…

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Review of Annette (2021)

By Ian Freer (515) for Empire (3,446) on 02 Sep 2021

The most original film of 2021, Annette is a ride like no other, a spellbinding waltz in a storm…

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Review of Cinderella (2021)

By Ella Kemp (95) for Empire (3,446) on 01 Sep 2021

Cinderella is given more independence, but at what cost…

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Review of Cinderella (2021)

By Ella Kemp (95) for Empire (3,446) on 01 Sep 2021

Cinderella is given more independence, but at what cost…

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Review of Candyman (2021)

By Kambole Campbell (73) for Empire (3,446) on 25 Aug 2021

Though it delivers some entertaining comedy and bloodshed, Candyman is clunky and overly instructive in its metaphorical purpose — killing…

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Review of The Nest (2020)

By Ian Freer (515) for Empire (3,446) on 24 Aug 2021

Filled with both passive aggression and aggressive aggression, The Nest has the trappings of a haunted-house movie but delivers something much…

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Review of The Nest (2020)

By Ian Freer (515) for Empire (3,446) on 24 Aug 2021

Filled with both passive aggression and aggressive aggression, The Nest has the trappings of a haunted-house movie but delivers something much…

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Review of Shang-Chi and the Legend of the Ten Rings (2021)

By Laura Sirikul (6) for Empire (3,446) on 23 Aug 2021

Featuring funny and endearing moments amid beautifully choreographed action sequences, Shang-Chi excels as a story about family and how it…

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Review of The Night House (2021)

By Ian Freer (515) for Empire (3,446) on 19 Aug 2021

Although let down by muddled plotting, The Night House is a low-key, well-made thoughtful horror flick, excellently played by Rebecca Hall…

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Review of Snake Eyes: G.I. Joe Origins (2021)

By Amon Warmann (68) for Empire (3,446) on 18 Aug 2021

Snake Eyes finally speaks, but with frustrating action scenes, a middling story and unearned sequel-baiting, there’s not much here that’s…

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Review of Reminiscence (2021)

By Olly Richards (291) for Empire (3,446) on 18 Aug 2021

It might have worked better if it took itself a little less seriously…

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Review of Censor (2021)

By Terri White (32) for Empire (3,446) on 16 Aug 2021

A psychedelic rabbit-hole-drop of a movie from one of the most exciting new directors working in horror today…

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Review of Pig (2021)

By Joshua Rothkopf (1,058) for Empire (3,446) on 16 Aug 2021

Quiet, unforced and delicate, Pig provides a forum for Nicolas Cage, one of our most dazzling showmen, to get serious and burrow more deeply…

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Review of I'm Your Man (2021)

By Pamela Hutchinson (21) for Empire (3,446) on 13 Aug 2021

I’m Your Man is science-fiction with soul and a romance written for adults…

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Review of Wendy (2020)

By Dan Jolin (289) for Empire (3,446) on 13 Aug 2021

A new take on Peter Pan that actually works, delivering all the visual richness you’d hope for from the film-maker behind Beasts Of The Southern…

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Review of Respect (2021)

By Helen O'hara (407) for Empire (3,446) on 10 Aug 2021

A perfectly serviceable biopic with good performances, which goes some way to explaining Franklin’s genius as a musician and a star, but…

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Review of Coda (2021)

By Ian Freer (515) for Empire (3,446) on 10 Aug 2021

Two parts raw and real, one part manipulative, Coda finds engaging characters and real emotions in a hackneyed narrative arc…

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Review of The Courier (2020)

By Chris Hewitt (1) (113) for Empire (3,446) on 10 Aug 2021

An anti-Bond, the closest Cooke’s movie comes to an action sequence is when someone breaks into a mild run…

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Review of CODA (2021)

By Ian Freer (515) for Empire (3,446) on 10 Aug 2021

Two parts raw and real, one part manipulative, Coda finds engaging characters and real emotions in a hackneyed narrative arc…

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