Movie Reviews Published by Empire - Page 21 of 173

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Review of Ron's Gone Wrong (2021)

By Dan Jolin (289) for Empire (3,446) on 11 Oct 2021

An amiable, amusing story of unlikely friendship, which is as aware of what makes people tick as it is of what makes tech troubling…

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Review of The Last Duel (2021)

By Dan Jolin (289) for Empire (3,446) on 11 Oct 2021

It’s not the kind of historical drama you might expect from Ridley Scott, but that’s not necessarily a bad thing…

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Review of Ghostbusters: Afterlife (2021)

By Olly Richards (291) for Empire (3,446) on 09 Oct 2021

It’s always fun, inventive and full of charm…

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Review of The Addams Family 2 (2021)

By Ian Freer (515) for Empire (3,446) on 07 Oct 2021

Ironically, given the mantra for its main characters is about embracing the weird, The Addams Family 2 does little that is out-there or different,…

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Review of The Harder They Fall (2021)

By Whelan Barzey (14) for Empire (3,446) on 06 Oct 2021

Packed with style, charm and a barrel-full of shrapnel for good measure, The Harder They Fall will still be standing when the smoke clears…

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Review of The Guilty (2021)

By Amon Warmann (68) for Empire (3,446) on 01 Oct 2021

Gyllenhaal flexes all his considerable acting muscles in this taut, tense thriller. One of the better remakes you’ll see…

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Review of Shithouse (2020)

By John Nugent (191) for Empire (3,446) on 30 Sep 2021

As a sensitive portrait of what college is like for the awkward lonely types — and an ode to just staying up late and shooting the sh*t —…

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Review of No Time to Die (2021)

By John Nugent (191) for Empire (3,446) on 28 Sep 2021

This is Bond film that dutifully ticks all the boxes — but brilliantly, often doesn’t feel like a Bond film at all…

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Review of The Many Saints of Newark (2021)

By Phil De Semlyen (265) for Empire (3,446) on 21 Sep 2021

A busier proposition than its HBO forefather, this sets up more than it can pay off…

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Review of The Green Knight (2021)

By John Nugent (191) for Empire (3,446) on 21 Sep 2021

A rivetingly weird and exceptionally beautiful fantasy film that offers no easy answers but ponders the biggest questions — through myths,…

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Review of Only You (2019)

By Ian Freer (515) for Empire (3,446) on 18 Sep 2021

Despite the generic title, Only You is an emotional treat, lit up by stellar charisma from Laia Costa and Josh O’Connor…

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Review of Prisoners of the Ghostland (2021)

By Ian Freer (515) for Empire (3,446) on 17 Sep 2021

Prisoners Of The Ghostland is by turns brilliant and rubbish…

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Review of Rose Plays Julie (2021)

By Kambole Campbell (73) for Empire (3,446) on 15 Sep 2021

Rose Plays Julie is impactful and unsettling, heightened by slippery performances and enigmatic visual construction…

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Review of Everybody's Talking About Jamie (2021)

By Olly Richards (291) for Empire (3,446) on 15 Sep 2021

A solid adaptation, even if its camp exuberance is a bit muted on the screen…

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Review of Everybody's Talking About Jamie (2021)

By Olly Richards (291) for Empire (3,446) on 15 Sep 2021

A solid adaptation, even if its camp exuberance is a bit muted on the screen…

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Review of Gunpowder Milkshake (2021)

By Terri White (32) for Empire (3,446) on 14 Sep 2021

Occasionally dynamic action and an incredible cast can’t ultimately save this muddled, derivative film. And please don’t call it ‘Jane Wick’…

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Review of Malignant (2021)

By Hanna Flint (37) for Empire (3,446) on 10 Sep 2021

There’s a hodge-podge of ideas going on that don’t always seamlessly fit, but Wan’s homage to ’80s horror and Wallis’s fretful performance,…

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Review of Copshop (2021)

By Ian Freer (515) for Empire (3,446) on 10 Sep 2021

A simple, effective thriller, Copshop doubles down on pulpy, ’70s-styled fun…

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Review of Dear Evan Hansen (2021)

By Ian Freer (515) for Empire (3,446) on 10 Sep 2021

Dear Evan Hansen gives enjoyable, tuneful voice to important modern-day concerns but lacks the dramatic and cinematic chops to really take flight…

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Review of Herself (2020)

By Pamela Hutchinson (21) for Empire (3,446) on 07 Sep 2021

Herself tells a compelling story, but combining a tough realist drama about domestic abuse and homelessness with an optimistic tale of solidarity…

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