Movie Reviews Published by Bust Magazine - Page 2 of 10

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Review of Leave No Trace (2018)

By Victoria Albert (1) for Bust Magazine (182) on 27 Jun 2018

[Thomasin McKenzie's] acting, like Foster's, is flawless, and their father-daughter rapport rings true from the film's first moments…

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Review of Boundaries (2018)

By Erika W. Smith (54) for Bust Magazine (182) on 24 Jun 2018

Comedies about mental illness that are funny, creative, and take mental health seriously do exist... but Boundaries is not one of them…

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Review of On Chesil Beach (2018)

By Samantha Ladwig (17) for Bust Magazine (182) on 06 Jun 2018

Falls prey to the if you didn't read the book then you won't understand the movie arc. So maybe read the book first…

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Review of Solo: A Star Wars Story (2018)

By Anna Greer (2) for Bust Magazine (182) on 29 May 2018

Solo may not be the best Star Wars movie (it's definitely not the worst), but it's an important one that should provoke conversations…

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Review of Ibiza (2018)

By Erika W. Smith (54) for Bust Magazine (182) on 28 May 2018

If you don't think too hard about the plot, you'll end up laughing plenty…

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Review of The Seagull (2018)

By Erika W. Smith (54) for Bust Magazine (182) on 10 May 2018

An unnecessary flash-forward makes the pace drag, but overall, this is a well-done adaptation of a classic play…

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Review of The Seagull (2018)

By Erika W. Smith (54) for Bust Magazine (182) on 10 May 2018

An unnecessary flash-forward makes the pace drag, but overall, this is a well-done adaptation of a classic play…

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Review of Tully (2018)

By Erika W. Smith (54) for Bust Magazine (182) on 02 May 2018

Though the ending is a little heavy-handed, Diablo Cody's smart, funny dialogue makes Tully an enjoyable watch even when it's uncomfortable,…

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Review of Seeing Allred (2018)

By Deborah Krieger (41) for Bust Magazine (182) on 01 May 2018

The most striking parts of the movie depict Allred's impeccable, downright admirable composure in every combative situation in which she finds…

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Review of Mary Shelley (2017)

By Erika W. Smith (54) for Bust Magazine (182) on 30 Apr 2018

The costumes and cinematography make the movie visually romantic, and hopefully the movie will cause more people to seek out Mary Shelley's work…

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Review of Untogether (2019)

By Erika W. Smith (54) for Bust Magazine (182) on 26 Apr 2018

If Andrea and Tara had dumped their love interests early and Forrest had spent the rest of the movie exploring the sisters' relationship, I'd…

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Review of Tiny Shoulders: Rethinking Barbie (2018)

By Erika W. Smith (54) for Bust Magazine (182) on 26 Apr 2018

But Tiny Shoulders keeps criticism of Barbie at a minimum-so much so that I was expecting a sponsored by Mattel line in the credits…

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Review of Disobedience (2018)

By Erika W. Smith (54) for Bust Magazine (182) on 25 Apr 2018

Like director's Sebastián Lelio's recent movie A Fantastic Woman, Disobedience is a nuanced study of grief, with Ronit's mourning taking just…

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Review of Blowin' Up (2018)

By Elizabeth F. Olson (2) for Bust Magazine (182) on 23 Apr 2018

The documentary, directed by Stephanie Wang-Breal, is a beautiful exploration of both the courtroom and the lives of the women who operate it…

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Review of Roll Red Roll (2019)

By Erika W. Smith (54) for Bust Magazine (182) on 23 Apr 2018

Roll Red Roll is often hard to watch, but [director Nancy] Schwartzman handles the subject matter with respect, grace, insight, and even hope…

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Review of Nana (2018)

By Elizabeth F. Olson (2) for Bust Magazine (182) on 16 Apr 2018

Now more than ever we need films like Nana to remind us of what can happen when we let prejudice cloud judgment, and the amount of work that…

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Review of A Quiet Place (2016)

By Erika W. Smith (54) for Bust Magazine (182) on 11 Apr 2018

This means that the experience of watching the movie is extremely tense-any loud footstep, any accidentally knocked-over object could mean…

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Review of A Quiet Place (2018)

By Erika W. Smith (54) for Bust Magazine (182) on 11 Apr 2018

This means that the experience of watching the movie is extremely tense-any loud footstep, any accidentally knocked-over object could mean…

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Review of You Were Never Really Here (2017)

By Jenni Miller (82) for Bust Magazine (182) on 11 Apr 2018

[Joaquin] Phoenix is at his shell-shocked best as the haunted Joe, veering between explosive violence and surprising tenderness…

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Review of Chappaquiddick (2018)

By Erika W. Smith (54) for Bust Magazine (182) on 04 Apr 2018

Chappaquiddick succeeds in showing the dark side of the political machinery behind the Kennedys, but there has to be a way to do that and give…

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