Movie Reviews Published by Bust Magazine - Page 4 of 10

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Review of Joan Didion: The Center Will Not Hold (2017)

By Erika W. Smith (54) for Bust Magazine (182) on 26 Oct 2017

The Center Will Not Hold is well worth watching, both for Didion fans and for those who want an introduction to her work and her writing…

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Review of Professor Marston and the Wonder Women (2017)

By Deborah Krieger (41) for Bust Magazine (182) on 19 Oct 2017

If anything, Professor Marston demonstrates the need for more portrayals of a diverse range of relationships and romances, because then the…

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Review of Columbus (2017)

By Deborah Krieger (41) for Bust Magazine (182) on 20 Sep 2017

Aside from Wes Anderson movies (most notably The Grand Budapest Hotel), I'd never seen a movie that took such care in composing each and every shot…

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Review of Dolores (2017)

By Erika W. Smith (54) for Bust Magazine (182) on 31 Aug 2017

Dolores argues that Huerta should have a much bigger place in American history - here's hoping that this documentary can help make that happen…

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Review of Dolores (2017)

By Erika W. Smith (54) for Bust Magazine (182) on 31 Aug 2017

Dolores argues that Huerta should have a much bigger place in American history - here's hoping that this documentary can help make that happen…

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Review of The Interview (2014)

By Julia Zdrojewski (2) for Bust Magazine (182) on 10 Aug 2017

Its important to note that the movie is not so much a political satire as much as it is the typical Rogen-Franco-pot-filled-film we've come to expect…

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Review of The Girl with the Dragon Tattoo (2009)

By Laurie Henzel (2) for Bust Magazine (182) on 10 Aug 2017

I'm just going to say this up front: The Girl With the Dragon Tattoo is the best female epic revenge saga since Kill Bill…

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Review of The Wolfpack (2015)

By Leah Cary (1) for Bust Magazine (182) on 10 Aug 2017

Like the boys, [The Wolfpack] is a powerful force to be reckoned with-and one that should be seen by all…

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Review of Advanced Style (2014)

By Emily Rems (14) for Bust Magazine (182) on 10 Aug 2017

At turns bold, brash, vulnerable, and heartbreakingly honest, these veterans of the concrete jungle trust and confide in the camera in ways…

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Review of By the Sea (2015)

By Kellie Galentine (4) for Bust Magazine (182) on 10 Aug 2017

The message reached by the end of the film is worth the wait, as long as you're willing to ponder the meaning after the final scene…

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Review of Upside Down (2012)

By Kari Belsheim (1) for Bust Magazine (182) on 10 Aug 2017

[Upside Down] a designer's dream, but the dialogue is forced and the film is dependent on its aesthetic value…

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Review of Difret (2014)

By Holiday Black (1) for Bust Magazine (182) on 10 Aug 2017

Change is complex-[Difret] illustrates that…

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Review of The Oranges (2011)

By Phoebe Magee (2) for Bust Magazine (182) on 10 Aug 2017

Do you love American Beauty, but wish it had a lighter touch and a happier ending - and starred Hugh Dr. House Laurie…

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Review of The Ghosts in Our Machine (2013)

By Emily Rems (14) for Bust Magazine (182) on 10 Aug 2017

This sense of global shift-of an old world order being cleverly undermined by a newer, more compassionate one-permeates [Liz] Marshall's graphic,…

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Review of Mood Indigo (2013)

By Emily Robinson (1) for Bust Magazine (182) on 10 Aug 2017

Michel Gondry's latest endeavor reads like a twisted storybook, weaving realistic tropes with fantastic visions of both the intensely light…

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Review of That's What She Said (2012)

By Phoebe Magee (2) for Bust Magazine (182) on 10 Aug 2017

[Carrie] Preston navigates the everyday crises of modern womanhood with a style of humor that is usually only applied to men…

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Review of Bettie Page Reveals All (2013)

By Emily Rems (14) for Bust Magazine (182) on 10 Aug 2017

[Bettie] Page's most striking feature, aside from her obvious beauty, is her humility: she truly doesn't get why people think she's so great…

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Review of Ingrid Goes West (2017)

By Jenni Miller (82) for Bust Magazine (182) on 10 Aug 2017

Ingrid Goes West is an uncanny portrait of how social media allows users to curate their lives beyond recognition…

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Review of Obvious Child (2014)

By Kelsey Haight (1) for Bust Magazine (182) on 10 Aug 2017

This film is quirky and witty but far surpasses its pregnancy counterparts like Juno or Knocked Up with a crew of folks determined to depict…

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Review of Guest of Cindy Sherman (2008)

By Laurie Henzel (2) for Bust Magazine (182) on 10 Aug 2017

Paul H-O has made both a touching boyfriend movie, and a scathing portrayal of the art world, with great footage from the 90's art scene…

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