Review of Winter Light (1963) by Mark R — 15 Feb 2009
The second addition to Ingmar Bergman's "Silence of God" trilogy is probably the simplest yet the most accessible into the idea of the subject. Running under an hour and a half, it covers a deeply depressing realization of the recognition in questioning faith.
The film follows a minister who cannot offer solace to a suicidal fisherman who questions the very thing the pastor has represented his whole life, thus leading to notification of the obscure and neurotic nature of his chosen path.
The Swedish title refers to commune as a reference of religion and communication between beings. Not only is there silence of God, but among human individuals as well, which this film duly notes. Bergman often cited this as his most deeply personal and treasured film and it is a great look into the master filmmakers unmatched talent.
Note the extremely long take of a close-up of Ingrid Thulin as she reads a letter denouncing her former lover's way of life. A simplistically brilliant film.
This review of Winter Light (1963) was written by Mark R on 15 Feb 2009.
Winter Light has generally received very positive reviews.
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