Review of West Side Story (1961) by Devin W — 10 Nov 2011

With the 50th anniversary one night re-release showing of West Side Story I was able to see this film for this first time. Based on the original, hugely successful 1957 play under the same name, this film is built off of the basic premise of Romeo & Juliet, William Shakespeare's story of star-crossed lovers whose love is challenged by the rivalry of their families, the Montague's and the Capulet's, respectively.

But in place of a family feud there is racial contrast and prejudice between two gangs, both belonging to the same turf on the West Side. Perhaps the commentary that this story provides on racial differences is why it has lasted so long (George Chakiris, who plays the leader of the Sharks, has stated something similar).

The film is shot beautifully, featuring both stage sets and urban, inner-city shots of Manhattan and the West Side of it that provides the backdrop for the film. The acting is immaculate, sending two supporting actors off with Oscars for their achievements.

In total the film was nominated for 11 Academy Awards and won ten of them (Best Writing-Adapted Screenplay was not won), making it the only musical to have won that many awards before and since its release.

Being that this is a musical and it features both song and dance it should be mentioned that a special Honorary Award was presented to Jerome Robbins, choreographer-director of the original play, (and co-won an Oscar for Best Director) for his "Brilliant Achievements in the Art of Choreography on Film.

" I was most amazed at the feel of the film. The way it was shot, the way the camera was positioned, the way the actors stood is so well done in a way that makes you feel as if you are a member of an audience who is watching the play take place before you.

It made me feel as if watching it there was an audience of people sitting behind the camera. That feel is carried out also in the way that it is edited, notably the transitions from scene to scene; and especially the way that they achieved an editing style that I found similar to the way a spotlight might work on stage.

This film is truly a cinematic achievement, worthy of its legacy and the many awards that it received. Occasionally the pacing may hurt the film, but after a few moments you are pulled out of that dullness and put back into catchy songs and impressive dancing/acting, the dramatic scenes, the astonishing use of color, and the overall commentary that the film provides.