Review of Watchmen (2009) by Anthony Lane for The New Yorker — 17 Jan 2010
The problem is that Snyder, following Moore, is so insanely aroused by the look of vengeance, and by the stylized application of physical power, that the film ends up twice as fascistic as the forces it wishes to lampoon.
You can read the full review where it was originally posted online.
This review of Watchmen (2009) was written by Anthony Lane and published by The New Yorker on 17 Jan 2010.
Watchmen has generally received positive reviews.
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