Review of Underwater (2020) by Glenn Kenny for The New York Times — 09 Jan 2020
It’s a challenge to keep action coherent and build suspense in the submerged environment simulated in “Underwater,” but Eubank doesn’t meet it, instead falling back on stale shocks that are not credibly buttressed by swelling bass effects on the soundtrack.
You can read the full review where it was originally posted online.
This review of Underwater (2020) was written by Glenn Kenny and published by The New York Times on 09 Jan 2020.
Underwater has generally received mixed reviews.
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