Review of Twixt (2011) by Pierluigi F — 10 Mar 2013
This is Coppola cum David Lynch. In fact, if this were directed by Lynch it would be hailed as a return to form from the master of the surreal, however Coppola can't seem to catch a break. I've been a big fan of his revitalized arthouse film making, admiring Youth Without Youth, and really loving Tetro.
Here he continues the trend with a surreal film right up the Twin Peaks alley. It is gorgeously shot, the dream sequences are visually astounding, Coppola playing with blacks and whites, and touches of vivid color, providing a lucid experience.
What's more is that this is an extremely personal film for Coppola, with themes of selling out as an artist, losing a child, and confronting failure. It has some great acting, providing Val Kilmer with is first decent role since Felon, and much to his own surprise, he still has it.
He is in turns funny, but also hopeless and adrift. Drunk, tired, and distracted as the bargain basement Stephen King. When he roles into town to sign books at a hardware store, the local sheriff ropes him into the haunted towns history.
Through a series of strange experiences, and lucid fever dreams (a drunken dream inspired the film) he uncovers the dark secrets of the town, meets Poe, and confronts his long buried feelings. It's a pleasure to watch something so pulpy, abstract, and full of atmosphere.
This review of Twixt (2011) was written by Pierluigi F on 10 Mar 2013.
Twixt has generally received mixed reviews.
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