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Last updated: 06 Jun 2026 at 03:39 UTC

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Review of by Guillaume H — 20 Mar 2016

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The story is interesting and evocative but disjointed with an ending that just peters out. Like Tetro before it, some elements are extremely personal to Coppola and the whole story is a fugue variation on the inside of his head.

Its inventive and full of ideas and good shots buts sometimes look like a teenage collage, self indulgent and amateurish, Like FF Coppola wants to emulate something other than himself and lands a few inches past the caricature line.

He used this technique of black and white superimposed with bright colors in Tetro to gorgeous effects, but here, it doesnt always work and is often campy. Yet its appealing because the love of moviemaking shows; its just not that obvious that an actual master is at the helm, like he regressed, carrying with himself all his experience but not his means nor his actual technical skills.

The dream sequences have been critiqued and I see why but at the same time I kind of like how naive they are and willfully overbursting with so many fantasies. I have half a mind to surrender to it, forget the cheese and enjoy the old magic with no cynicism.

If I go along with it, its ripe for the taking. But the ending feels like he ran out of tape so tacked an extra scene after the last one shot and that was that.

This review of Twixt (2011) was written by on 20 Mar 2016.

Twixt has generally received mixed reviews.

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