Review of True Confession (1937) by Pauline Kael for The New Yorker — 21 Mar 1961
Carole Lombard's final film for Paramount was a charming screwball comedy that was entertaining, if lightweight.
You can read the full review where it was originally posted online.
This review of True Confession (1937) was written by Pauline Kael and published by The New Yorker on 21 Mar 1961.
True Confession has generally received positive reviews.
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