Review of Toni Erdmann (2016) by Sean Burns for The ARTery — 23 Feb 2017
Ade favors unobtrusive camerawork and doesn't punch up the jokes with excessive cutting or music cues, leaving the audience to find our own bearings in awkward social situations.
You can read the full review where it was originally posted online.
This review of Toni Erdmann (2016) was written by Sean Burns and published by The ARTery on 23 Feb 2017.
Toni Erdmann has generally received very positive reviews.
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