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Last updated: 08 Jun 2026 at 22:05 UTC

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Review of by Ahmedaiman1999 — 27 Jul 2019

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After being slightly disappointed by Howl's Moving Castle, I became a little worried lest Spirited Away is the last film in which Hayao Miyazaki managed to balance between telling a cohesive story and conveying passionate feelings. Without seeing 2008's Ponyo, I can gladly say that all my worries were for naught.

Of course, It's essentially a biopic. And its moments of fantasy are only dreams and visions. But that doesn't mean that this made it an easier task for Miyazaki to prove that he hasn't lost his magic touch. That also in no way means that this film lacks the sense of wonder and the mesmerising animation Miyazaki's works are known for. IMHO, this is one of his most beautiful films, and one of the most beautiful animated films in general.

Sure, this film could have simplified what concerns aeronautics to make this part more appealing to those who have no interest in such thing (like me). Also, it could have took more risks to differentiate itself from other biopics. But then again, I have these issues because I consider this a solid biopic, not an inspirational animated film.

When it comes to the romance aspect of the film, it's safe to say that The Wind Rises has one of the most touching love stories I've witnessed in any animated feature. The conditions the lovers experience play a major part here; how their relationship has been established and develops throughout the film is what made this romance nearly on par with WALL·E's (only considering it's also an animated film).

You may have noticed how much I identified with the characters. Actually, Jirô Horikoshi became one of my favourite Miyazaki characters alongside Chihiro and Totoro.

All in all, The Wind Rises is a top-tierMiyazaki that was begging not to be his swan song. Miyazaki's latest work is also, surprisingly, his most mature.

(8.

This review of The Wind Rises (2013) was written by on 27 Jul 2019.

The Wind Rises has generally received very positive reviews.

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