Review of The Wages of Fear (1953) by Pauline Kael for The New Yorker — 01 Jul 2020
Deriving endless anxiety from brawny men moving as gingerly as possible, it’s a riveting anti-action movie, one of the most memorable high-concept pictures ever made in Europe.
You can read the full review where it was originally posted online.
This review of The Wages of Fear (1953) was written by Pauline Kael and published by The New Yorker on 01 Jul 2020.
The Wages of Fear has generally received very positive reviews.
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